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<p>[QUOTE="verybrad, post: 9546845, member: 37"]I am considering buying an etching that has some issues. Besides watermarks in the margin, there is minor foxing throughout. It is mostly in the margins that will be matted out and I don't mind the appearance of the print itself. At nearly 100 years old, it shows its age. I would want to stabilize it before framing. Any surefire easy methods for doing so? </p><p><br /></p><p>I have considered trying to teach myself paper conservation but that is more than I would want to do for this print, nor would I want to experiment on it. I don't care about deacidification or toning in general, as the print is not terribly valuable. Having work professionally done would not be worth it. I can buy this same print in better (but not perfect) condition, but it is 3 times more in price. I can live with the condition of this print but don't want it to get any worse. </p><p><br /></p><p>Appreciate any input and hope this brings up a general discussion about paper conservation.[/QUOTE]</p><p><br /></p>
[QUOTE="verybrad, post: 9546845, member: 37"]I am considering buying an etching that has some issues. Besides watermarks in the margin, there is minor foxing throughout. It is mostly in the margins that will be matted out and I don't mind the appearance of the print itself. At nearly 100 years old, it shows its age. I would want to stabilize it before framing. Any surefire easy methods for doing so? I have considered trying to teach myself paper conservation but that is more than I would want to do for this print, nor would I want to experiment on it. I don't care about deacidification or toning in general, as the print is not terribly valuable. Having work professionally done would not be worth it. I can buy this same print in better (but not perfect) condition, but it is 3 times more in price. I can live with the condition of this print but don't want it to get any worse. Appreciate any input and hope this brings up a general discussion about paper conservation.[/QUOTE]
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