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<p>[QUOTE="Richard Arthur, post: 9723264, member: 6375"][ATTACH=full]472031[/ATTACH] [ATTACH=full]472032[/ATTACH] [ATTACH=full]472033[/ATTACH] [ATTACH=full]472034[/ATTACH] [ATTACH=full]472036[/ATTACH] In my research I have discovered a painting almost exactly the same as the one I have. The signature is totally different. I have examined the one I have quite extensively under magnification and black light. Noticing a couple of small areas that appear to have been repaired. The signature doesn't flare so I don't think it was added. The cradle on the back is much later then the piece itself as is the frame, and the back of the board has been painted black. Sometimes this was done to keep the panel from absorbing moisture. The one by</p><p>Jose Rico Y Cejudo the first photo (1864-1939) is almost exact to the Guglielmo Zocchi (1874-1932) that I have. The brush work on ours is much finer.[/QUOTE]</p><p><br /></p>
[QUOTE="Richard Arthur, post: 9723264, member: 6375"][ATTACH=full]472031[/ATTACH] [ATTACH=full]472032[/ATTACH] [ATTACH=full]472033[/ATTACH] [ATTACH=full]472034[/ATTACH] [ATTACH=full]472036[/ATTACH] In my research I have discovered a painting almost exactly the same as the one I have. The signature is totally different. I have examined the one I have quite extensively under magnification and black light. Noticing a couple of small areas that appear to have been repaired. The signature doesn't flare so I don't think it was added. The cradle on the back is much later then the piece itself as is the frame, and the back of the board has been painted black. Sometimes this was done to keep the panel from absorbing moisture. The one by Jose Rico Y Cejudo the first photo (1864-1939) is almost exact to the Guglielmo Zocchi (1874-1932) that I have. The brush work on ours is much finer.[/QUOTE]
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