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<p>[QUOTE="federico manfredi, post: 585257, member: 4675"]Thank you all.</p><p>Personally I think that the iconography allows to identify both a mythological subject and a sacred subject. Nor can it be ruled out that the ambiguity was not intended by the artist himself.</p><p>What perplexes me is the manner of the painting. On the one hand there is a Caravaggesque influence but on the other a geometrical synthesis that I have never seen reconciled in this way.</p><p>Does anyone know examples?[/QUOTE]</p><p><br /></p>
[QUOTE="federico manfredi, post: 585257, member: 4675"]Thank you all. Personally I think that the iconography allows to identify both a mythological subject and a sacred subject. Nor can it be ruled out that the ambiguity was not intended by the artist himself. What perplexes me is the manner of the painting. On the one hand there is a Caravaggesque influence but on the other a geometrical synthesis that I have never seen reconciled in this way. Does anyone know examples?[/QUOTE]
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