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Some intaglio print textures (Engravings, Etchings, etc.)
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<p>[QUOTE="moreotherstuff, post: 1246765, member: 56"]Etching involves placing a plate in an acid bath. (The acid is called a "mordant".) You put a piece of metal into the correct acid, and the acid will dissolve the metal. Obviously a plate has two sides and you want to control what metal is exposed to the mordant. So you coat both sides with something that will not be affected by the acid. You can coat the backside with something like tar, but that won't work for the side you want to pattern if you plan to draw lines. Drawing with a stylus through a brittle ground will result in chipping, flaking, and loss of control. For line etchings, the side of the plate will be coated with a soft material involving a significant amount of wax. This is the soft ground. A stylus will cleanly expose the metal beneath beneath the ground without creating chips or flakes. An artist can draw his pattern free-hand through such a ground, so the lines take on the character of a drawing. Having drawn the picture, the plate is immersed in the mordant, which bites into the exposed metal leaving a recessed line. The acid well dissolve whatever metal it can reach, so in a very small way it immediately stars to undercut the ground and spread. This why an etched line appears a bit irregular and fuzzy. The longer the plate is left in the acid, the heavier the line will be and the darker it will print. An artist can control the heaviness of the lines by removing the plate from the bath, selectively coating over sections of the drawn lines, and re-immersing the plate to etch the remaining exposed areas more deeply.</p><p><br /></p><p>The coatings on both side of the plate have to be removed before printing.[/QUOTE]</p><p><br /></p>
[QUOTE="moreotherstuff, post: 1246765, member: 56"]Etching involves placing a plate in an acid bath. (The acid is called a "mordant".) You put a piece of metal into the correct acid, and the acid will dissolve the metal. Obviously a plate has two sides and you want to control what metal is exposed to the mordant. So you coat both sides with something that will not be affected by the acid. You can coat the backside with something like tar, but that won't work for the side you want to pattern if you plan to draw lines. Drawing with a stylus through a brittle ground will result in chipping, flaking, and loss of control. For line etchings, the side of the plate will be coated with a soft material involving a significant amount of wax. This is the soft ground. A stylus will cleanly expose the metal beneath beneath the ground without creating chips or flakes. An artist can draw his pattern free-hand through such a ground, so the lines take on the character of a drawing. Having drawn the picture, the plate is immersed in the mordant, which bites into the exposed metal leaving a recessed line. The acid well dissolve whatever metal it can reach, so in a very small way it immediately stars to undercut the ground and spread. This why an etched line appears a bit irregular and fuzzy. The longer the plate is left in the acid, the heavier the line will be and the darker it will print. An artist can control the heaviness of the lines by removing the plate from the bath, selectively coating over sections of the drawn lines, and re-immersing the plate to etch the remaining exposed areas more deeply. The coatings on both side of the plate have to be removed before printing.[/QUOTE]
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Some intaglio print textures (Engravings, Etchings, etc.)
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