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<p>[QUOTE="BettyRubble, post: 10052921, member: 85146"]Thank you for your feedback and notes, very helpful. And yes, I am thrilled with this piece, I chose it because I want to live with it. </p><p>While it would have been very exciting for this piece to be, say, Federal, or American Empire, it would also mean that any restore/refurbish would adversely impact value. To leave it in its present state would make it hard to live with on a daily basis. </p><p>I chose this piece because it struck me as very special, but not so precious that some judicious repair and refurbishment will kill its value-and I mean value in a heritage or historical sense. </p><p>As I cleaned and examined the piece at home, I noted so many cues that indicated hand work, or old methods, like band saw marks. Also the use of solid planks in odd ways. The top is one solid slab of birdseye quilted maple, with the impressive figure laid DOWN, showing the straight grain on top. Who does that, unless you want to make the top look like something that's not maple? The bracing blocks on that top slab are literally quarter sections of split tree branches with the bark still on it. So idiosyncratic, seemed like the work of one guy in a shop doing what he wanted, as opposed to some production boss. I became excited and worried at the same time. But then the dye in the shellac (assuming that's what it is) put it after 1860, which was a relief-and a disappointment. </p><p>I dislike the flimsy replacement pulls, and the very sloppy lacquer on top; easy to see why in person, and also in the photos I posted to Google Drive. That will come of with some lacquer thinner. Ugh. I will be using this piece daily, and so I will probably use old-school phenolic varnish--Epifanes, or Schooner--on the top itself. </p><p>This came from Worcester County, Massachusetts. The seller told me it had been in his family and he didn't know how long. His parents are gone, and the bureau came down to him through his aunt who had passed. Zero marks on it, except for some wax pencil on the inside of the drawers with numbers on them--so that you put them back in the right order. I was really hoping someone would say, "That's the work of Joe Bagofdonuts from Leominster, who built furniture from 1850-1900!" It may happen yet.[/QUOTE]</p><p><br /></p>
[QUOTE="BettyRubble, post: 10052921, member: 85146"]Thank you for your feedback and notes, very helpful. And yes, I am thrilled with this piece, I chose it because I want to live with it. While it would have been very exciting for this piece to be, say, Federal, or American Empire, it would also mean that any restore/refurbish would adversely impact value. To leave it in its present state would make it hard to live with on a daily basis. I chose this piece because it struck me as very special, but not so precious that some judicious repair and refurbishment will kill its value-and I mean value in a heritage or historical sense. As I cleaned and examined the piece at home, I noted so many cues that indicated hand work, or old methods, like band saw marks. Also the use of solid planks in odd ways. The top is one solid slab of birdseye quilted maple, with the impressive figure laid DOWN, showing the straight grain on top. Who does that, unless you want to make the top look like something that's not maple? The bracing blocks on that top slab are literally quarter sections of split tree branches with the bark still on it. So idiosyncratic, seemed like the work of one guy in a shop doing what he wanted, as opposed to some production boss. I became excited and worried at the same time. But then the dye in the shellac (assuming that's what it is) put it after 1860, which was a relief-and a disappointment. I dislike the flimsy replacement pulls, and the very sloppy lacquer on top; easy to see why in person, and also in the photos I posted to Google Drive. That will come of with some lacquer thinner. Ugh. I will be using this piece daily, and so I will probably use old-school phenolic varnish--Epifanes, or Schooner--on the top itself. This came from Worcester County, Massachusetts. The seller told me it had been in his family and he didn't know how long. His parents are gone, and the bureau came down to him through his aunt who had passed. Zero marks on it, except for some wax pencil on the inside of the drawers with numbers on them--so that you put them back in the right order. I was really hoping someone would say, "That's the work of Joe Bagofdonuts from Leominster, who built furniture from 1850-1900!" It may happen yet.[/QUOTE]
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