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<p>[QUOTE="Laurence Roman, post: 1231418, member: 12895"]The "fake" image on the Calder Foundation website is a mirror image of yours, which is good news. It does not appear to be identical to yours in several other features: the teeth in your impression are white, not yellow as in the identified fake and the horse's mane doesn't correspond, if you compare them. My next comments are all speculative, so by all means disregard them;</p><p><br /></p><p>I love Calder's lithographs and have three, whose provenance is as solid as one could hope, so perhaps you'll find my musings helpful.</p><p><br /></p><p>Firstly, blue is the most unstable lithographic ink, so you needn't worry too much if shades are discrepant from one impression to the next. I believe Picasso was so aware of this colour instability, that he calculated it into the composition of his own lithographs as an aesthetic phenomenon when using blues.</p><p><br /></p><p>H.C. impressions provide the forger with a carte blanche to generate as many spurious reproductions as s/he pleases; Miro and Chagall (to name but two artists) were fastidious in having had their multiples carefully numbered so, in order to pass off a fake, one could only swing the trick by numerating it as an H.C. Chagall, I believe, went as far as insisting that the margins were trimmed from all but impressions from the authorised edition. This makes it easy to dismiss any Chagall lithographs "signed in the image" as bearing spurious signatures. That does not, ipso facto, mean the impression itself is a reproduction, only that the signature is bogus. From what I have observed, Calder's bona fide not for sale impressions tend to be labelled E.A., not H.C. This might be a warning sign that something might be awry.</p><p><br /></p><p>Rather unhelpfully, several bona fide prints by Calder are catalogued under several titles for the same image; one of mine is occasionally listed as "Music Maestro Please" and alternatively "Phonograph." Another has 4 different listings: "Flowers by the Fence," "Flowers at Fence," "Flowers" and perhaps most unhelpfully "Untitled." The only one with a consistent title is "Grande A Avec Moustache." This level of inconsistency makes researching Calder's graphic works tricky.</p><p><br /></p><p>I have tried uploading the images of the works I own, in case you're interested. Notice how very different the cobalt blue is from one image to the next. I have owned "Flowers" and "Grande A" for several years and the colours are significantly different again from these photographs, which are taken from the sales catalogues.</p><p><br /></p><p>I hope I haven't gone on too long; I'm even boring myself!</p><p><br /></p><p>[ATTACH=full]215323[/ATTACH] [ATTACH=full]215324[/ATTACH] [ATTACH=full]215325[/ATTACH][/QUOTE]</p><p><br /></p>
[QUOTE="Laurence Roman, post: 1231418, member: 12895"]The "fake" image on the Calder Foundation website is a mirror image of yours, which is good news. It does not appear to be identical to yours in several other features: the teeth in your impression are white, not yellow as in the identified fake and the horse's mane doesn't correspond, if you compare them. My next comments are all speculative, so by all means disregard them; I love Calder's lithographs and have three, whose provenance is as solid as one could hope, so perhaps you'll find my musings helpful. Firstly, blue is the most unstable lithographic ink, so you needn't worry too much if shades are discrepant from one impression to the next. I believe Picasso was so aware of this colour instability, that he calculated it into the composition of his own lithographs as an aesthetic phenomenon when using blues. H.C. impressions provide the forger with a carte blanche to generate as many spurious reproductions as s/he pleases; Miro and Chagall (to name but two artists) were fastidious in having had their multiples carefully numbered so, in order to pass off a fake, one could only swing the trick by numerating it as an H.C. Chagall, I believe, went as far as insisting that the margins were trimmed from all but impressions from the authorised edition. This makes it easy to dismiss any Chagall lithographs "signed in the image" as bearing spurious signatures. That does not, ipso facto, mean the impression itself is a reproduction, only that the signature is bogus. From what I have observed, Calder's bona fide not for sale impressions tend to be labelled E.A., not H.C. This might be a warning sign that something might be awry. Rather unhelpfully, several bona fide prints by Calder are catalogued under several titles for the same image; one of mine is occasionally listed as "Music Maestro Please" and alternatively "Phonograph." Another has 4 different listings: "Flowers by the Fence," "Flowers at Fence," "Flowers" and perhaps most unhelpfully "Untitled." The only one with a consistent title is "Grande A Avec Moustache." This level of inconsistency makes researching Calder's graphic works tricky. I have tried uploading the images of the works I own, in case you're interested. Notice how very different the cobalt blue is from one image to the next. I have owned "Flowers" and "Grande A" for several years and the colours are significantly different again from these photographs, which are taken from the sales catalogues. I hope I haven't gone on too long; I'm even boring myself! [ATTACH=full]215323[/ATTACH] [ATTACH=full]215324[/ATTACH] [ATTACH=full]215325[/ATTACH][/QUOTE]
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