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<p>[QUOTE="ritzyvintage, post: 3461099, member: 18191"]The opalescent glass produced at <i>Choisy-le-roi</i>, France was unarguably the finest of its period. Practically every known glass-working artist in France, used the facilities at some point in their career, including Rene Lalique and Sabino, who would both introduce their own recipe's for opalescent glass in later years.</p><p><br /></p><p>Opalescent glass uses varying amounts of Arsenic as an added ingredient which of course is highly toxic. The colour-type is also incredibly expensive & labour intensive to produce, and only a small number of factories today still have a licence to produce it. </p><p><br /></p><p>The glass remains completely opaque milky-white in colour if it is allowed to cool without careful heat control and an exceptional degree of skilfully applied working procedures throughout each & every stage of its manufacture. It is only once the glass has been allowed to cool gradually & completely, will the opalescent qualities reveal themselves.</p><p><br /></p><p>"True" opalescent glass will display a range of colours (subject to different conditions of light ) from soft pastel-blues and subtle hints of purple & pink combined with creamy-shades of white, however when the glass is lit from behind, hues of rich-golden amber can be observed... </p><p><br /></p><p>Shown below are a very fine pair of vases from my collection which illustrate some of the qualities of French opalescent glass. They were designed by Cesari, and produced at Coisy-le-roi, during the mid 1930s. </p><p style="text-align: center">[ATTACH=full]303360[/ATTACH]</p> <p style="text-align: center"><br /></p> <p style="text-align: center">[ATTACH=full]303361[/ATTACH]</p> <p style="text-align: center"><br /></p> <p style="text-align: center">[ATTACH=full]303362[/ATTACH]</p> <p style="text-align: center"> </p><p>[/QUOTE]</p><p><br /></p>
[QUOTE="ritzyvintage, post: 3461099, member: 18191"]The opalescent glass produced at [I]Choisy-le-roi[/I], France was unarguably the finest of its period. Practically every known glass-working artist in France, used the facilities at some point in their career, including Rene Lalique and Sabino, who would both introduce their own recipe's for opalescent glass in later years. Opalescent glass uses varying amounts of Arsenic as an added ingredient which of course is highly toxic. The colour-type is also incredibly expensive & labour intensive to produce, and only a small number of factories today still have a licence to produce it. The glass remains completely opaque milky-white in colour if it is allowed to cool without careful heat control and an exceptional degree of skilfully applied working procedures throughout each & every stage of its manufacture. It is only once the glass has been allowed to cool gradually & completely, will the opalescent qualities reveal themselves. "True" opalescent glass will display a range of colours (subject to different conditions of light ) from soft pastel-blues and subtle hints of purple & pink combined with creamy-shades of white, however when the glass is lit from behind, hues of rich-golden amber can be observed... Shown below are a very fine pair of vases from my collection which illustrate some of the qualities of French opalescent glass. They were designed by Cesari, and produced at Coisy-le-roi, during the mid 1930s. [CENTER][ATTACH=full]303360[/ATTACH] [ATTACH=full]303361[/ATTACH] [ATTACH=full]303362[/ATTACH] [/CENTER][/QUOTE]
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