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<p>[QUOTE="verybrad, post: 115456, member: 37"]Are we done with pair #5? </p><p><br /></p><p>I like both of these. </p><p><br /></p><p>Painting A portrays strength and stoicism. The subject is not very accessible to the viewer. I like the comment about having her look out a window while we observe her. I find the technique effective. Portraits in watercolor can often look over-worked and I get the sense that this was pretty effortless for the artist even if it might not have been. The use of shadowing is effective. I think the artist to be accomplished.</p><p><br /></p><p>Painting B is much more coarse but still effective. As others said, the subject is laid out for us to see as he is. I get the impression that this was done fairly quickly by someone with talent. The technique is not literal but I find the execution not nearly as accomplished as the first painting. I am not so sure how effective this would be as a portrait. I see it more as a character study.[/QUOTE]</p><p><br /></p>
[QUOTE="verybrad, post: 115456, member: 37"]Are we done with pair #5? I like both of these. Painting A portrays strength and stoicism. The subject is not very accessible to the viewer. I like the comment about having her look out a window while we observe her. I find the technique effective. Portraits in watercolor can often look over-worked and I get the sense that this was pretty effortless for the artist even if it might not have been. The use of shadowing is effective. I think the artist to be accomplished. Painting B is much more coarse but still effective. As others said, the subject is laid out for us to see as he is. I get the impression that this was done fairly quickly by someone with talent. The technique is not literal but I find the execution not nearly as accomplished as the first painting. I am not so sure how effective this would be as a portrait. I see it more as a character study.[/QUOTE]
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