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<p>[QUOTE="Bronwen, post: 332574, member: 5833"]Except the more I look, the more that explanation falls apart for me. It's very confusing. The wreath of oak leaves on the regal male & the laurel one on her, as well as the rest of their garb, suggest Zeus & Hera. 'Hera' could be applauding the performance (or artist got her hands out of the way). Yet the setting appears not to be Olympus; mere mortals do not just pass by the doorstep there. The old man is dressed like a traveler/pilgrim. He seems a bit old to be the father of the girl, but she is clearly not, as Salome was, the daughter of the house. She looks more like she's stretching than like she's dancing, not a promising interpretation. The old man is impatient to get her away.</p><p><br /></p><p>Lots of clues here, just not coalescing into a narrative I know. It is sure to illustrate something. I'm leaning to classical mythology, haven't ruled out Biblical. Does not feel allegorical. Certainly not historical. It will nag at me.[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 332574, member: 5833"]Except the more I look, the more that explanation falls apart for me. It's very confusing. The wreath of oak leaves on the regal male & the laurel one on her, as well as the rest of their garb, suggest Zeus & Hera. 'Hera' could be applauding the performance (or artist got her hands out of the way). Yet the setting appears not to be Olympus; mere mortals do not just pass by the doorstep there. The old man is dressed like a traveler/pilgrim. He seems a bit old to be the father of the girl, but she is clearly not, as Salome was, the daughter of the house. She looks more like she's stretching than like she's dancing, not a promising interpretation. The old man is impatient to get her away. Lots of clues here, just not coalescing into a narrative I know. It is sure to illustrate something. I'm leaning to classical mythology, haven't ruled out Biblical. Does not feel allegorical. Certainly not historical. It will nag at me.[/QUOTE]
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