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<p>[QUOTE=&quot;User 67, post: 7072, member: 67&quot;]I did not know there were collectors of Museum posters from the 1980s, but I suppose there is a collectable for everybody. I can&#039;t image there are too many collectors of Museum posters from the 1980s.</p><p><br /></p><p>Yes, I thanked (liked) Alec Sutton, above, for providing that information. And I agree when he states using such a title for a poster print is &quot;A trifle <i>weaselly</i>, but <i>narrowly </i>within the bounds of accepted usage.&quot; when that poster print is of a lithograph specifically designed for that poster.</p><p><br /></p><p>Seriously? The first thing you do is get acquainted with printing processes. Take an extension class, read a book, go to a museum print room and ask to examine the prints, google stone litho, etc. After all that, if you can&#039;t tell the difference between an artist&#039;s stone lithograph and a post print then you are in the wrong business.</p><p><br /></p><p>I am not ignoring any facts. I am trying to help. You seem to be tying to shoot the messenger.</p><p><br /></p><p>First of all ADL didn&#039;t order stone lithos to sell to tourists in their gift shop, they ordered poster prints, nor can I imagine Chagall pumping out the thousands of prints by hand necessary to meet such a demand.</p><p><br /></p><p>If you want to find out the value of Chagall stone lithographs, in case you ever run into one at a thrift shop, please check out an Art Info Service, there are many like artist-prices.mutualart.com, artnet.com, etc.</p><p><br /></p><p>And I don&#039;t know the value of a hypothetical &#039;Poster print of an original lithograph&#039; originally sold in a museum shop in 1985, but if I had one, I could take it to the hypothetical poster print convention and sell it to the only other hypothetical attendee for a hypothetical fin.[/QUOTE]</p><p><br /></p>

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