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<p>[QUOTE=&quot;Bronwen, post: 2413521, member: 5833&quot;][I got taken away from this posting by a phone call.&nbsp; So some of this has already been said by others.]</p><p><br /></p><p>Reminds me of:</p><p><br /></p><p><a href="https://www.museodelprado.es/en/the-collection/art-work/the-naked-maja/65953b93-323e-48fe-98cb-9d4b15852b18" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://www.museodelprado.es/en/the-collection/art-work/the-naked-maja/65953b93-323e-48fe-98cb-9d4b15852b18" rel="nofollow">https://www.museodelprado.es/en/the-collection/art-work/the-naked-maja/65953b93-323e-48fe-98cb-9d4b15852b18</a></p><p><br /></p><p>This is from the watermelon &amp; okra painting:</p><p><br /></p><p>[ATTACH=full]263685[/ATTACH]</p><p><br /></p><p>I think signatures front &amp; back of journey&#039;s painting are consistent.&nbsp; Sometimes she writes in a more cursive manner than at others.&nbsp; The date discrepancy could be that the painting is from a photo or drawing made in Thailand in 1982 but painted in 2000, when, I note, she turned the P in Sophie into the symbol for Venus/female, so may have thought of herself as a feminist painter in her later years.</p><p><br /></p><p>There is a white school marm in the painting of the children learning to read.&nbsp; She doesn&#039;t seem to have anything against white women.[/QUOTE]</p><p><br /></p>

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