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<p>[QUOTE="all_fakes, post: 82173, member: 55"]That link works, don't know why the re-direct does not, today. </p><p> I'm not sure that anyone knows exactly how the white undercoat originated, and I haven't asked Bill Holm that specific question; certainly if anyone knows it would be him. I might guess that it originated in the Hamatsa dances, as a way to make masks glow in the firelight, during a time when Seaweed and others were seeking new ways to make the old masks more visible. Seaweed was famous for adding moving parts that would reveal copper linings when lifted, which must have really produced a flash of light; and this was something that had not been seen before, so far as we know. And as a guess, the white then migrated from the masks to the poles. It definitely is associated with particular families and locations, and not others.</p><p> Willie Seaweed, sometimes an Alert Bay resident, was certainly the best known practitioner, thanks to Holm's book on him, but the Walkus poles are just about as good, and as innovative; and there were a number of others.</p><p> Unfortunately, Hilary Stewart has suffered a medical setback and is no longer able to enlighten us as to why she thought of the white as the Blunden Harbor/Smith Inlet style.....but I'm just following her footnote in that respect.[/QUOTE]</p><p><br /></p>
[QUOTE="all_fakes, post: 82173, member: 55"]That link works, don't know why the re-direct does not, today. I'm not sure that anyone knows exactly how the white undercoat originated, and I haven't asked Bill Holm that specific question; certainly if anyone knows it would be him. I might guess that it originated in the Hamatsa dances, as a way to make masks glow in the firelight, during a time when Seaweed and others were seeking new ways to make the old masks more visible. Seaweed was famous for adding moving parts that would reveal copper linings when lifted, which must have really produced a flash of light; and this was something that had not been seen before, so far as we know. And as a guess, the white then migrated from the masks to the poles. It definitely is associated with particular families and locations, and not others. Willie Seaweed, sometimes an Alert Bay resident, was certainly the best known practitioner, thanks to Holm's book on him, but the Walkus poles are just about as good, and as innovative; and there were a number of others. Unfortunately, Hilary Stewart has suffered a medical setback and is no longer able to enlighten us as to why she thought of the white as the Blunden Harbor/Smith Inlet style.....but I'm just following her footnote in that respect.[/QUOTE]
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