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HAPPY SNUFF BOXES FOR EVERYBODY WHO COLLECTS THEM!!!
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<p>[QUOTE="moreotherstuff, post: 373526, member: 56"]Gold boxes are a passion of mine (pictures only, sadly). They were made for aristocrats and you still pretty much have to be one to afford them.</p><p><br /></p><p>Absolutely incredible workmanship.</p><p><br /></p><p>There's a story of one of the Louis presenting a gold box to a newly arrived ambassador. The ambassador sold it back to the original merchant and used the money to finance his embassy. When that embassy ended, Louis presented him again with the same box as a parting gift.</p><p><br /></p><p>I have most of the books written about them, most of the published collection catalogs, and a goodly number of the sales catalogs. (At least pre-2000.) When one catalog gives references to other published sources, odds are I'll have it. </p><p><br /></p><p>The one catalog I don't have is the Louvre's. It's expensive, both the one from 1934 (Nocq and Dreyfus), and the one from 1981 (Grandjean). Mostly black and white photos, which is what holds me back.</p><p><br /></p><p>Strangely, in my fantasies, I don't see myself as owning them, but rather as being involved in their manufacture.</p><p><br /></p><p>I read just recently that there are more designs extant for gold boxes than for any other 18th C article. Most of them cannot be matched up to existing boxes.</p><p><br /></p><p>This picture of an 18th C lathe for producing guillocher patterns is from "Gold Boxes of Europe" by Kenneth Snowman (probably still the #1 picture book on the subject).</p><p>[ATTACH=full]128533[/ATTACH][/QUOTE]</p><p><br /></p>
[QUOTE="moreotherstuff, post: 373526, member: 56"]Gold boxes are a passion of mine (pictures only, sadly). They were made for aristocrats and you still pretty much have to be one to afford them. Absolutely incredible workmanship. There's a story of one of the Louis presenting a gold box to a newly arrived ambassador. The ambassador sold it back to the original merchant and used the money to finance his embassy. When that embassy ended, Louis presented him again with the same box as a parting gift. I have most of the books written about them, most of the published collection catalogs, and a goodly number of the sales catalogs. (At least pre-2000.) When one catalog gives references to other published sources, odds are I'll have it. The one catalog I don't have is the Louvre's. It's expensive, both the one from 1934 (Nocq and Dreyfus), and the one from 1981 (Grandjean). Mostly black and white photos, which is what holds me back. Strangely, in my fantasies, I don't see myself as owning them, but rather as being involved in their manufacture. I read just recently that there are more designs extant for gold boxes than for any other 18th C article. Most of them cannot be matched up to existing boxes. This picture of an 18th C lathe for producing guillocher patterns is from "Gold Boxes of Europe" by Kenneth Snowman (probably still the #1 picture book on the subject). [ATTACH=full]128533[/ATTACH][/QUOTE]
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