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<p>[QUOTE="Dawnno, post: 592704, member: 10171"]From the article link: "We have egg tempera icons centuries old, which, when cleaned, have retained fresh, vivid colours and an unflawed surface. Oil painting, on the other hand, after a <i><b>comparatively short time</b></i> dries out, cracks and flakes. Modern acrylic-based paints tend to become brittle, dull and lifeless when dry, and have the further problem of being inherently opaque--lacking the translucence possible with egg tempera which has always been a striking feature of icons."</p><p><br /></p><p>That may eliminate 'antiquity'... flaking tends to suggest oil or acrylic. And the current practices of commissioning the iconograph suggests it could be 'real' - whatever that means. <img src="styles/default/xenforo/smilies/wink.png" class="mceSmilie" alt=";)" unselectable="on" /> Could be something a church commissioned, say, over the last 75 years? or maybe a nice 'tourist' piece to add income to the painter/commissioned artist... Need an expert beyond that. Not that person.[/QUOTE]</p><p><br /></p>
[QUOTE="Dawnno, post: 592704, member: 10171"]From the article link: "We have egg tempera icons centuries old, which, when cleaned, have retained fresh, vivid colours and an unflawed surface. Oil painting, on the other hand, after a [I][B]comparatively short time[/B][/I] dries out, cracks and flakes. Modern acrylic-based paints tend to become brittle, dull and lifeless when dry, and have the further problem of being inherently opaque--lacking the translucence possible with egg tempera which has always been a striking feature of icons." That may eliminate 'antiquity'... flaking tends to suggest oil or acrylic. And the current practices of commissioning the iconograph suggests it could be 'real' - whatever that means. ;) Could be something a church commissioned, say, over the last 75 years? or maybe a nice 'tourist' piece to add income to the painter/commissioned artist... Need an expert beyond that. Not that person.[/QUOTE]
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