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<p>[QUOTE="Bronwen, post: 4315899, member: 5833"]Another thing to look for when trying to distinguish a resin cameo from one cut in helmet shell is whether there is any curvature to the piece as a whole. Although there are occasional exceptions, shell will have some degree of curve; resin will be flat the way these are.</p><p><br /></p><p>Think they are all bacchantes. Don't all have grape leaves in their hair?</p><p><br /></p><p>With my limited knowledge, trying to think of at what time did the modernity of the plastic intersect with a maker who still cared about making the cameos look like very good 19th century ones. They aren't Incolay, which is highly durable. Pieces from the 60s that have not been abused still look like new. My loose estimate is that this is post-WWII, pre-1960.</p><p><br /></p><p>The jump rings holding the two parts of the clasp do not look the same age as the others, so clasp probably replacement. I've never seen this type of clasp used for a bracelet, for the obvious reason.[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 4315899, member: 5833"]Another thing to look for when trying to distinguish a resin cameo from one cut in helmet shell is whether there is any curvature to the piece as a whole. Although there are occasional exceptions, shell will have some degree of curve; resin will be flat the way these are. Think they are all bacchantes. Don't all have grape leaves in their hair? With my limited knowledge, trying to think of at what time did the modernity of the plastic intersect with a maker who still cared about making the cameos look like very good 19th century ones. They aren't Incolay, which is highly durable. Pieces from the 60s that have not been abused still look like new. My loose estimate is that this is post-WWII, pre-1960. The jump rings holding the two parts of the clasp do not look the same age as the others, so clasp probably replacement. I've never seen this type of clasp used for a bracelet, for the obvious reason.[/QUOTE]
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