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Fiddle with this Vincenzo Loria watercolor? Or let well enough alone?
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<p>[QUOTE="'Nuff_Said, post: 42673, member: 181"]Yes and no...</p><p><br /></p><p>The burns from the original matting aren't going to cause any further damage to the piece other than what's already visible so long as the original matting is not reused in the re-framing process. But what will continue to aid in your painting's deterioration is the acidic board in which the painting is laid down on.</p><p><br /></p><p>Conserving this painting means to totally remove it from its original acidic framing materials, re-mat using acid-free materials, re-frame and set behind a plate of Tru Vue museum glass.</p><p><br /></p><p>Restoring means to remove it totally from its original framing materials, clean and remove burns, staining, foxing and any other damage that may be associated with the piece.</p><p><br /></p><p>I'm sure poster Alec Sutton or another poster can articulate the above a hell-of-a-lot better than I just did, but that's my basic understanding.[/QUOTE]</p><p><br /></p>
[QUOTE="'Nuff_Said, post: 42673, member: 181"]Yes and no... The burns from the original matting aren't going to cause any further damage to the piece other than what's already visible so long as the original matting is not reused in the re-framing process. But what will continue to aid in your painting's deterioration is the acidic board in which the painting is laid down on. Conserving this painting means to totally remove it from its original acidic framing materials, re-mat using acid-free materials, re-frame and set behind a plate of Tru Vue museum glass. Restoring means to remove it totally from its original framing materials, clean and remove burns, staining, foxing and any other damage that may be associated with the piece. I'm sure poster Alec Sutton or another poster can articulate the above a hell-of-a-lot better than I just did, but that's my basic understanding.[/QUOTE]
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Fiddle with this Vincenzo Loria watercolor? Or let well enough alone?
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