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Fiddle with this Vincenzo Loria watercolor? Or let well enough alone?
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<p>[QUOTE="moreotherstuff, post: 42637, member: 56"]I showed this on the finds thread about a month ago. It's a watercolor by Neapolitan artist Vincenzo Loria (1849-1939) and shows the Second Temple of Hera at Paestum. The painting measures 6" by 14 1/8" and is thoroughly glued to a heavy card that measures about 9” x 16 5/16”.</p><p><br /></p><p>Here's the painting on its card:</p><p><img src="http://img.photobucket.com/albums/v337/hoozzatt/Temp/PaintingWatercolorGreek2ndTempleHeraPaestumItalyVincenzoLoria-zz_zpse26f8371.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>And here's the back of the card:</p><p><img src="http://img.photobucket.com/albums/v337/hoozzatt/Temp/PaintingWatercolorGreek2ndTempleHeraPaestumItalyVincenzoLoria-zzz_zpscc37c2ec.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>I'm just itching to remove the card, which I think I can manage without damaging the painting, but should I do that or just leave well enough alone? I think the browning to this paper is not from the card itself, but has been picked up from the backing that was on the frame. Easy enough to replace that with acid free material.</p><p><br /></p><p>You can see acid burn on the front of the painting. Here's a detail from the left side:</p><p><img src="http://img.photobucket.com/albums/v337/hoozzatt/Temp/PaintingWatercolorGreek2ndTempleHeraPaestumItalyVincenzoLoria-zzzz_zpsa647e827.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>I'm guessing that, because this is a watercolor, removing the mat burn will be more involved than if it was a print. Is there a straight forward process for doing that? I think the window in the original mat was cut about 3/4" too short and I think that extra bit does make a difference to the symmetry of the image. I'm also guessing that removing the mat burn will also involve removing the card.</p><p><br /></p><p>I have cut a new mat from acid free material, but made the window the same size as the original. I don't think it is aesthetically acceptable to re-mat it with that strip of burn showing.</p><p><br /></p><p>So... Leave it as it? Try to restore it myself, or at least remove the card? Have it professionally restored? (Any notion as to what that might cost?) What do you think?[/QUOTE]</p><p><br /></p>
[QUOTE="moreotherstuff, post: 42637, member: 56"]I showed this on the finds thread about a month ago. It's a watercolor by Neapolitan artist Vincenzo Loria (1849-1939) and shows the Second Temple of Hera at Paestum. The painting measures 6" by 14 1/8" and is thoroughly glued to a heavy card that measures about 9” x 16 5/16”. Here's the painting on its card: [IMG]http://img.photobucket.com/albums/v337/hoozzatt/Temp/PaintingWatercolorGreek2ndTempleHeraPaestumItalyVincenzoLoria-zz_zpse26f8371.jpg[/IMG] And here's the back of the card: [IMG]http://img.photobucket.com/albums/v337/hoozzatt/Temp/PaintingWatercolorGreek2ndTempleHeraPaestumItalyVincenzoLoria-zzz_zpscc37c2ec.jpg[/IMG] I'm just itching to remove the card, which I think I can manage without damaging the painting, but should I do that or just leave well enough alone? I think the browning to this paper is not from the card itself, but has been picked up from the backing that was on the frame. Easy enough to replace that with acid free material. You can see acid burn on the front of the painting. Here's a detail from the left side: [IMG]http://img.photobucket.com/albums/v337/hoozzatt/Temp/PaintingWatercolorGreek2ndTempleHeraPaestumItalyVincenzoLoria-zzzz_zpsa647e827.jpg[/IMG] I'm guessing that, because this is a watercolor, removing the mat burn will be more involved than if it was a print. Is there a straight forward process for doing that? I think the window in the original mat was cut about 3/4" too short and I think that extra bit does make a difference to the symmetry of the image. I'm also guessing that removing the mat burn will also involve removing the card. I have cut a new mat from acid free material, but made the window the same size as the original. I don't think it is aesthetically acceptable to re-mat it with that strip of burn showing. So... Leave it as it? Try to restore it myself, or at least remove the card? Have it professionally restored? (Any notion as to what that might cost?) What do you think?[/QUOTE]
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