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DOYLES IS HAVING AN AUCTION 9/16/20 OF ABANDONED JEWELRY......
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<p>[QUOTE="Bronwen, post: 2706471, member: 5833"]Picture a 5 year old spending every recess time picking out the prettiest bits from the fine gravel in the kindergarten playground, who thought it was immeasurable treasure when an aunt & uncle sent a collection of shells from their trip to Florida. When she was introduced to mythology, she immediately loved it.</p><p><br /></p><p>For a number of years I collected kaleidoscopes. The heyday of artisan-made kaleidoscopes passed & really, how many can you spend time looking through? </p><p><br /></p><p>When I went into my beading phase I suppose the stones & pearls satisfied my magpie attraction to colorful, shiny things. When my bead shop brought in boxwood ojime, Chinese knockoffs of Japanese designs, I got captivated by those. If I could afford genuine netsuke & ojime, and had the expertise to know genuine from fake, I would collect those.</p><p><br /></p><p>I can't even remember how I got into collecting Zuni 'fetishes', but I got in big time sometime after the bead shop closed & my interest waned. Meanwhile, after seeing some very pretty jewellery that incorporated cameos, I started to see them in a new light, not just as grandmother wear, & kept my eyes open for one to buy. I found one in an antique store that was going out of business, a shell Ceres.</p><p><br /></p><p>It wasn't until I signed up with eBay that I had the opportunity to browse thousands of cameos. Like most, my first acquisitions were of the pretty lady type in a modest price range. Once I broke out of those categories, I was hooked, intellectually as much as aesthetically. I wanted to learn how to recognize the mythological figures & scenes, inevitably picking up religious & allegorical ones along the way as well. I became interested in finding the sources of the images.</p><p><br /></p><p>That's the long story. The short one is that cameos combine my loves: rocks, stones & other natural materials; mythology; small carved things; pretty things generally; old, unusual/unique things. They permit me to own little works of art signed by the author & can add interest to my otherwise plain wardrobe (when I have any reason to get dressed). They have led to contacts around the globe, some of whom have become friends. Occasionally there is the great satisfaction of finding the underlying art for cameo subjects that are misidentified everywhere else. (The V&A changed their description of a cameo based on information I provided.) They are satisfying on so many fronts - some even make me chuckle - how can I resist?[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 2706471, member: 5833"]Picture a 5 year old spending every recess time picking out the prettiest bits from the fine gravel in the kindergarten playground, who thought it was immeasurable treasure when an aunt & uncle sent a collection of shells from their trip to Florida. When she was introduced to mythology, she immediately loved it. For a number of years I collected kaleidoscopes. The heyday of artisan-made kaleidoscopes passed & really, how many can you spend time looking through? When I went into my beading phase I suppose the stones & pearls satisfied my magpie attraction to colorful, shiny things. When my bead shop brought in boxwood ojime, Chinese knockoffs of Japanese designs, I got captivated by those. If I could afford genuine netsuke & ojime, and had the expertise to know genuine from fake, I would collect those. I can't even remember how I got into collecting Zuni 'fetishes', but I got in big time sometime after the bead shop closed & my interest waned. Meanwhile, after seeing some very pretty jewellery that incorporated cameos, I started to see them in a new light, not just as grandmother wear, & kept my eyes open for one to buy. I found one in an antique store that was going out of business, a shell Ceres. It wasn't until I signed up with eBay that I had the opportunity to browse thousands of cameos. Like most, my first acquisitions were of the pretty lady type in a modest price range. Once I broke out of those categories, I was hooked, intellectually as much as aesthetically. I wanted to learn how to recognize the mythological figures & scenes, inevitably picking up religious & allegorical ones along the way as well. I became interested in finding the sources of the images. That's the long story. The short one is that cameos combine my loves: rocks, stones & other natural materials; mythology; small carved things; pretty things generally; old, unusual/unique things. They permit me to own little works of art signed by the author & can add interest to my otherwise plain wardrobe (when I have any reason to get dressed). They have led to contacts around the globe, some of whom have become friends. Occasionally there is the great satisfaction of finding the underlying art for cameo subjects that are misidentified everywhere else. (The V&A changed their description of a cameo based on information I provided.) They are satisfying on so many fronts - some even make me chuckle - how can I resist?[/QUOTE]
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DOYLES IS HAVING AN AUCTION 9/16/20 OF ABANDONED JEWELRY......
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