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Copper engraving 17th century Ecce Homo (after) Hendrick Goltzius
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<p>[QUOTE="Ex Libris, post: 10172171, member: 14916"]Hello everyone,</p><p><br /></p><p>I’m seeking help in identifying and understanding the origins of a print in my collection. The engraving is titled <i>Ecce Homo</i>, number 8 from a Passion series originally attributed to Hendrick Goltzius (monogram HG). However, upon closer inspection, I believe my version comes from a different plate altogether.</p><p><br /></p><p>My copy</p><p>[ATTACH=full]508803[/ATTACH] </p><p><br /></p><p>To support this, I’ve compared my print with two (maybe three) known versions published by Ludovicus Siceram and with an original attributed to Goltzius (see the attached comparison image).</p><p><br /></p><p><a href="https://www.metmuseum.org/art/collection/search/398213" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://www.metmuseum.org/art/collection/search/398213" rel="nofollow">Original by Hendrick Goltzius</a> (1597)</p><p><a href="https://www.metmuseum.org/art/collection/search/387685" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://www.metmuseum.org/art/collection/search/387685" rel="nofollow">Copy by Ludovici Siceram</a> (mirrored, ~1623)</p><p><a href="https://harvardartmuseums.org/collections/object/339697" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://harvardartmuseums.org/collections/object/339697" rel="nofollow">This version looks like Goltzius but is attributed to Abraham Hogenberg</a> ()</p><p><br /></p><p>Some key observations:</p><p><br /></p><ul> <li>My print bears Goltzius’ monogram (HG), unlike the Siceram versions, but the execution seems distinct from the original Goltzius print (and is mirrored).</li> <li>There are clear differences in line work, particularly in the texture of the ground and the details around the monogram and numbering.</li> <li>The overall quality of the engraving suggests it may have been produced by a different artist or workshop using a new plate, possibly later.</li> </ul><p>I suspect this engraving could be a reproduction or reinterpretation created in a different context or period, but I’d love to hear your thoughts! Could this be an overlooked or less-known variation of the series? Or perhaps a deliberate reproduction made in the 17th or 18th century?</p><p><br /></p><p>I have put my copy, Siceram's and Goltzius' (mirrored) version next to each other for comparison.</p><p>[ATTACH=full]508804[/ATTACH] </p><p><br /></p><p>If anyone recognizes this specific print, its potential origins, or has insight into similar cases, your expertise would be greatly appreciated!</p><p><br /></p><p>Thank you so much in advance for your help.</p><p><br /></p><p>Other versions</p><p><br /></p><p>Abraham Hogenberg (~1623)</p><p>[ATTACH=full]508806[/ATTACH] </p><p><br /></p><p>Christopher van Sichem (1649, woodcut) </p><p>[ATTACH=full]508805[/ATTACH]</p><p><br /></p><p><a href="https://jenikirbyhistory.getarchive.net/topics/after+hendrick+goltzius/christ" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://jenikirbyhistory.getarchive.net/topics/after+hendrick+goltzius/christ" rel="nofollow">Other Passion prints after Goltzius</a>[/QUOTE]</p><p><br /></p>
[QUOTE="Ex Libris, post: 10172171, member: 14916"]Hello everyone, I’m seeking help in identifying and understanding the origins of a print in my collection. The engraving is titled [I]Ecce Homo[/I], number 8 from a Passion series originally attributed to Hendrick Goltzius (monogram HG). However, upon closer inspection, I believe my version comes from a different plate altogether. My copy [ATTACH=full]508803[/ATTACH] To support this, I’ve compared my print with two (maybe three) known versions published by Ludovicus Siceram and with an original attributed to Goltzius (see the attached comparison image). [URL='https://www.metmuseum.org/art/collection/search/398213']Original by Hendrick Goltzius[/URL] (1597) [URL='https://www.metmuseum.org/art/collection/search/387685']Copy by Ludovici Siceram[/URL] (mirrored, ~1623) [URL='https://harvardartmuseums.org/collections/object/339697']This version looks like Goltzius but is attributed to Abraham Hogenberg[/URL] () Some key observations: [LIST] [*]My print bears Goltzius’ monogram (HG), unlike the Siceram versions, but the execution seems distinct from the original Goltzius print (and is mirrored). [*]There are clear differences in line work, particularly in the texture of the ground and the details around the monogram and numbering. [*]The overall quality of the engraving suggests it may have been produced by a different artist or workshop using a new plate, possibly later. [/LIST] I suspect this engraving could be a reproduction or reinterpretation created in a different context or period, but I’d love to hear your thoughts! Could this be an overlooked or less-known variation of the series? Or perhaps a deliberate reproduction made in the 17th or 18th century? I have put my copy, Siceram's and Goltzius' (mirrored) version next to each other for comparison. [ATTACH=full]508804[/ATTACH] If anyone recognizes this specific print, its potential origins, or has insight into similar cases, your expertise would be greatly appreciated! Thank you so much in advance for your help. Other versions Abraham Hogenberg (~1623) [ATTACH=full]508806[/ATTACH] Christopher van Sichem (1649, woodcut) [ATTACH=full]508805[/ATTACH] [URL='https://jenikirbyhistory.getarchive.net/topics/after+hendrick+goltzius/christ']Other Passion prints after Goltzius[/URL][/QUOTE]
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Copper engraving 17th century Ecce Homo (after) Hendrick Goltzius
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