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<p>[QUOTE="Any Jewelry, post: 360357, member: 2844"]Welcome to the forum, Miles.</p><p>I love your stele, it is beautiful. The style is 5th-6th century, but like you I have been caught in a mental tug-of-war between real or repro. So I decided not to post until I knew more. Frankly I still don't, but I'll share my thoughts with you. I hope it will help in the discussion.</p><p><br /></p><p>What concerns me most is the kind of wear of the pigments. It seems strange that no red pigment remains in between the folds of the Buddha's garment, but there is still red pigment on the outside of the fold, seen in this detail:</p><p>[ATTACH=full]123101[/ATTACH]</p><p><br /></p><p>Another thing is the back, most Chinese sandstone Buddhas of the period have more religious carving or a continuation of the cosmic flames on the back.</p><p><br /></p><p>On the other hand, while the irregular surface seems odd, it could be due to the extrusion of minerals salts through external factors, like being covered with (humid) soil over a long period of time. I'm sure there is a better term for this process, but you probably know what I mean. I have seen it before, but never on Chinese sandstone statues of the period. So I wonder if this is actually due to the conditions it has survived in for centuries, or if this can be faked.</p><p>I can't see the surface of the back very well, does it have the same extrusions? If it occurred through a natural process, it should.</p><p><br /></p><p>Did you acquire it through a reputable source? And did it come with any provenance?[/QUOTE]</p><p><br /></p>
[QUOTE="Any Jewelry, post: 360357, member: 2844"]Welcome to the forum, Miles. I love your stele, it is beautiful. The style is 5th-6th century, but like you I have been caught in a mental tug-of-war between real or repro. So I decided not to post until I knew more. Frankly I still don't, but I'll share my thoughts with you. I hope it will help in the discussion. What concerns me most is the kind of wear of the pigments. It seems strange that no red pigment remains in between the folds of the Buddha's garment, but there is still red pigment on the outside of the fold, seen in this detail: [ATTACH=full]123101[/ATTACH] Another thing is the back, most Chinese sandstone Buddhas of the period have more religious carving or a continuation of the cosmic flames on the back. On the other hand, while the irregular surface seems odd, it could be due to the extrusion of minerals salts through external factors, like being covered with (humid) soil over a long period of time. I'm sure there is a better term for this process, but you probably know what I mean. I have seen it before, but never on Chinese sandstone statues of the period. So I wonder if this is actually due to the conditions it has survived in for centuries, or if this can be faked. I can't see the surface of the back very well, does it have the same extrusions? If it occurred through a natural process, it should. Did you acquire it through a reputable source? And did it come with any provenance?[/QUOTE]
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