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<p>[QUOTE="Bronwen, post: 695144, member: 5833"]Not much. They are fragile & seem to be prone to crumbling a bit at the edges without trauma. Not much different from dried, unfired clay, really. The way they look on the back says to me the mold is filled with the mineral solution & allowed to dry:</p><p><br /></p><p><img src="https://cameotimes.com/images/Materials/Dripstone/DripstoneDepression.png" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /> <img src="https://cameotimes.com/images/Materials/Dripstone/DripstoneCrystals.png" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>If the drying were helped by time in an oven, don't think you would get so much settling of the particles or the crystals some develop. The particles of the top layer are very fine; I imagine they would compact down tightly.</p><p><br /></p><p>For those who want to know more about the process of making these, <a href="https://cameotimes.com/index.php/component/content/article/112-reference/115-fontaines-petrifiantes-technique" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://cameotimes.com/index.php/component/content/article/112-reference/115-fontaines-petrifiantes-technique" rel="nofollow">the details Jivvy read to Mr. J. are here</a>. I have never encountered, maybe because I have never looked for, one of their 'encrusted' pieces. They used the process on everything, including taxidermied animals they would describe as 'fossilized'. (OK Jivvy, a new quest for you.)</p><p><br /></p><p>Now that I've pulled out one of mine, I see I have a challenge: the bezel & frame are a lovely shade of turquoise, while the shank of the ring & the supporting undercarriage have not oxidized. Unmarked, but must be low karat gold attached to brass; didn't know this was ever done. How to get rid of the verdigris? Can't use anything acidic; don't even dare soak it in plain water for any length of time. Can scrape some off with fingernail. Water on a swab to get at the rest? If cleaned off, won't it develop again? Leave it, since won't affect the gold or the cameo itself?[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 695144, member: 5833"]Not much. They are fragile & seem to be prone to crumbling a bit at the edges without trauma. Not much different from dried, unfired clay, really. The way they look on the back says to me the mold is filled with the mineral solution & allowed to dry: [IMG]https://cameotimes.com/images/Materials/Dripstone/DripstoneDepression.png[/IMG] [IMG]https://cameotimes.com/images/Materials/Dripstone/DripstoneCrystals.png[/IMG] If the drying were helped by time in an oven, don't think you would get so much settling of the particles or the crystals some develop. The particles of the top layer are very fine; I imagine they would compact down tightly. For those who want to know more about the process of making these, [URL='https://cameotimes.com/index.php/component/content/article/112-reference/115-fontaines-petrifiantes-technique']the details Jivvy read to Mr. J. are here[/URL]. I have never encountered, maybe because I have never looked for, one of their 'encrusted' pieces. They used the process on everything, including taxidermied animals they would describe as 'fossilized'. (OK Jivvy, a new quest for you.) Now that I've pulled out one of mine, I see I have a challenge: the bezel & frame are a lovely shade of turquoise, while the shank of the ring & the supporting undercarriage have not oxidized. Unmarked, but must be low karat gold attached to brass; didn't know this was ever done. How to get rid of the verdigris? Can't use anything acidic; don't even dare soak it in plain water for any length of time. Can scrape some off with fingernail. Water on a swab to get at the rest? If cleaned off, won't it develop again? Leave it, since won't affect the gold or the cameo itself?[/QUOTE]
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