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<p>[QUOTE="Bronwen, post: 671335, member: 5833"]You guys are doing just fine without me, carry on. I'm off to the turtle show.</p><p><br /></p><p>OK not just yet. Right & Right. St. Cecilia, patron saint of music, & an especially beautiful one. The organ is her traditional instrument, but she is sometimes shown with others.</p><p><br /></p><p>[ATTACH=full]185296[/ATTACH] [ATTACH=full]185297[/ATTACH] </p><p><br /></p><p>And the 1st cameo is of Moses, not by Moses/Moise, facing front, after the sculpture of Michelangelo (which was affected by a mistranslation in the Bible that led people to understand that Moses had horns, when it should have been something more like 'radiance').</p><p><br /></p><p>[ATTACH=full]185298[/ATTACH] </p><p><br /></p><p>The next one is described as Moses holding a staff entwined with a serpent, speaking with (the personification of) Peace, who holds an olive branch. It is signed with one of the variants used by Valerio Belli, as he is usually called now. ( [USER=8184]@Jivvy[/USER] the Pan you like in the auction catalogue is by Belli or someone who did similar work on rock crystal.) I will have to be on the lookout to see if I have anything like this in my cameo photo collection. May have, but probably not correctly labeled.</p><p><br /></p><p>Sometimes Raspe, who compiled the catalogue of Tassie's impressions, which is where the snippet Jivvy is asking about comes from, couldn't resist editorializing about a piece, & he does that here, complaining about the practice of Renaissance gem engravers of mixing religious (sacred) images with secular ones, in a way that only confused others, rather than making the idea clear. Says Belli is particularly guilty of this, although he says the cameo is 'pretty enough'.</p><p><br /></p><p>The catalogue is written in English & French, in side by side columns. Those old style lower case 'S's play havoc with OCR.[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 671335, member: 5833"]You guys are doing just fine without me, carry on. I'm off to the turtle show. OK not just yet. Right & Right. St. Cecilia, patron saint of music, & an especially beautiful one. The organ is her traditional instrument, but she is sometimes shown with others. [ATTACH=full]185296[/ATTACH] [ATTACH=full]185297[/ATTACH] And the 1st cameo is of Moses, not by Moses/Moise, facing front, after the sculpture of Michelangelo (which was affected by a mistranslation in the Bible that led people to understand that Moses had horns, when it should have been something more like 'radiance'). [ATTACH=full]185298[/ATTACH] The next one is described as Moses holding a staff entwined with a serpent, speaking with (the personification of) Peace, who holds an olive branch. It is signed with one of the variants used by Valerio Belli, as he is usually called now. ( [USER=8184]@Jivvy[/USER] the Pan you like in the auction catalogue is by Belli or someone who did similar work on rock crystal.) I will have to be on the lookout to see if I have anything like this in my cameo photo collection. May have, but probably not correctly labeled. Sometimes Raspe, who compiled the catalogue of Tassie's impressions, which is where the snippet Jivvy is asking about comes from, couldn't resist editorializing about a piece, & he does that here, complaining about the practice of Renaissance gem engravers of mixing religious (sacred) images with secular ones, in a way that only confused others, rather than making the idea clear. Says Belli is particularly guilty of this, although he says the cameo is 'pretty enough'. The catalogue is written in English & French, in side by side columns. Those old style lower case 'S's play havoc with OCR.[/QUOTE]
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