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<p>[QUOTE=&quot;Bronwen, post: 6651692, member: 5833&quot;]A big welcome &amp; aw shucks thank you, Mirana.&nbsp; It is so very good to hear that Cameo Times actually sometimes reaches people who find value in it.&nbsp; (You might want to register: it&#039;s free; the info requested is mostly voluntary &amp; never shared with any other entity; does not result in a deluge of junk mail.&nbsp; This will give you access to additional cameo subjects that are less common.&nbsp; If you do sign up, let me know, here or in a private message, that you have, so I don&#039;t lose you in the flood of spam registrations the site gets.)</p><p><br /></p><p>Your Clytie is just gorgeous.&nbsp; Thank you for sharing her with us.&nbsp; It never ceases to amaze me when such work is left unsigned.&nbsp; Sure wouldn&#039;t happen now.&nbsp; I think there&#039;s a fair possibility the cameo was cut some decades before it was mounted.&nbsp; There&#039;s a bit of a disconnect between the quality &amp; subject matter of the carving &amp; the 20th century findings, which do not look like replacements.</p><p><br /></p><p>Since my Clyties came up, in addition to the 2 by Luigi Rosi, I also have one that is unsigned, but in a nice mount:</p><p><br /></p><p>[ATTACH=full]420232[/ATTACH][/QUOTE]</p><p><br /></p>

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