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<p>[QUOTE="PepperAnna, post: 4537686, member: 17332"][USER=13814]@stracci[/USER] --I am working on this, checking through the Beazley Gems database. This impression is part of the Lippert collection (#449). <b>Philipp Daniel Lippert</b> published the first edition of his <i>Dactyliotheca Universalis signorum exemplis nitidis redditae</i> in Leipzig in 1755-1762. It comprised three 'volumes' in book form, each containing twenty drawers of one thousand gem casts per volume, chosen from the prominent collections of the day in Europe. It was accompanied by a summary catalogue. The description is in Latin " Sacra, vt edunt, Marti." I tried to use Google translate, but it didn't work.</p><p><br /></p><p>It is also the Tommaso Cades collection, for which I unfortunately cannot find a corresponding scanned catalog. This collection was made specifically for the German Institute in Rome. According to the information, this particular impression was from an ancient gem.</p><p><br /></p><p>It is not represented in the Amastini, William Tassie, or Paoletti collections. I am still working my way through the James Tassie collection. I will report back if I find more information on the plaster impression.[/QUOTE]</p><p><br /></p>
[QUOTE="PepperAnna, post: 4537686, member: 17332"][USER=13814]@stracci[/USER] --I am working on this, checking through the Beazley Gems database. This impression is part of the Lippert collection (#449). [B]Philipp Daniel Lippert[/B] published the first edition of his [I]Dactyliotheca Universalis signorum exemplis nitidis redditae[/I] in Leipzig in 1755-1762. It comprised three 'volumes' in book form, each containing twenty drawers of one thousand gem casts per volume, chosen from the prominent collections of the day in Europe. It was accompanied by a summary catalogue. The description is in Latin " Sacra, vt edunt, Marti." I tried to use Google translate, but it didn't work. It is also the Tommaso Cades collection, for which I unfortunately cannot find a corresponding scanned catalog. This collection was made specifically for the German Institute in Rome. According to the information, this particular impression was from an ancient gem. It is not represented in the Amastini, William Tassie, or Paoletti collections. I am still working my way through the James Tassie collection. I will report back if I find more information on the plaster impression.[/QUOTE]
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