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<p>[QUOTE="Bronwen, post: 432851, member: 5833"]Welcome, Xristina. A lovely collection. Comments already posted are all excellent. As Fig said, the one rimmed in pearls is the best work. It is the god Dionysus/Bacchus. Helmet shell that is doing a good job of mimicking hardstone.</p><p><br /></p><p>I think the one with the turquoise-dotted rim is probably the oldest. (When trying to date mounted pieces it is always useful to see the back; hinges & clasps changed more than cameo styles.) Scenes like this are frequently described as being from the Biblical story of Rebecca encountering Eliezer at the well, but are not. I think of them as Woman in Country Lane. For Rebecca, see:</p><p><br /></p><p><a href="https://cameotimes.com/index.php/profiles-1/religious/rebecca-at-the-well" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://cameotimes.com/index.php/profiles-1/religious/rebecca-at-the-well" rel="nofollow">https://cameotimes.com/index.php/profiles-1/religious/rebecca-at-the-well</a></p><p><br /></p><p>These country scene cameos are a genre of their own. They are never very well done, and I have never seen any two exactly alike, suggesting cutters devised the compositions themselves, selecting elements from a conventional list: one or more human figures, most often a woman in this style of dress; a gnarled, wind-swept tree; buildings, sometimes in ruins or improbably balanced; often a pond with waterfowl or a stream with a little bridge; as in the 'Rebecca' ones, a well or well house. It's the setting that makes this one stand out.</p><p><br /></p><p>The one with the blue background is exactly what Fig said. They are white Czech glass, then painted in all sorts of ways:</p><p><br /></p><p>[ATTACH=full]151624[/ATTACH] [ATTACH=full]151625[/ATTACH] [ATTACH=full]151626[/ATTACH] </p><p>With its blue background, yours has been made to look like Limoges porcelain, such as this piece by Camille Tharaud:</p><p><br /></p><p>[ATTACH=full]151627[/ATTACH]</p><p><br /></p><p>The swag necklace is great fun. Cameos are a mix of helmet and conch shell. The bracelet with all the 'pretty ladies' is probably 1950s - early 60s. The one with the three little round cameos is quite modern and may not be hand carved. Still, a sweet, appealing piece. As you note, the coral cameo is not the highest quality work, but would have been quite attractive when new. Cameos of all types are too easily damaged to make good ring stones. Someone actively wore this one; she is now somewhat eroded.</p><p><br /></p><p>Did I get them all? And do you ever wear them?[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 432851, member: 5833"]Welcome, Xristina. A lovely collection. Comments already posted are all excellent. As Fig said, the one rimmed in pearls is the best work. It is the god Dionysus/Bacchus. Helmet shell that is doing a good job of mimicking hardstone. I think the one with the turquoise-dotted rim is probably the oldest. (When trying to date mounted pieces it is always useful to see the back; hinges & clasps changed more than cameo styles.) Scenes like this are frequently described as being from the Biblical story of Rebecca encountering Eliezer at the well, but are not. I think of them as Woman in Country Lane. For Rebecca, see: [URL]https://cameotimes.com/index.php/profiles-1/religious/rebecca-at-the-well[/URL] These country scene cameos are a genre of their own. They are never very well done, and I have never seen any two exactly alike, suggesting cutters devised the compositions themselves, selecting elements from a conventional list: one or more human figures, most often a woman in this style of dress; a gnarled, wind-swept tree; buildings, sometimes in ruins or improbably balanced; often a pond with waterfowl or a stream with a little bridge; as in the 'Rebecca' ones, a well or well house. It's the setting that makes this one stand out. The one with the blue background is exactly what Fig said. They are white Czech glass, then painted in all sorts of ways: [ATTACH=full]151624[/ATTACH] [ATTACH=full]151625[/ATTACH] [ATTACH=full]151626[/ATTACH] With its blue background, yours has been made to look like Limoges porcelain, such as this piece by Camille Tharaud: [ATTACH=full]151627[/ATTACH] The swag necklace is great fun. Cameos are a mix of helmet and conch shell. The bracelet with all the 'pretty ladies' is probably 1950s - early 60s. The one with the three little round cameos is quite modern and may not be hand carved. Still, a sweet, appealing piece. As you note, the coral cameo is not the highest quality work, but would have been quite attractive when new. Cameos of all types are too easily damaged to make good ring stones. Someone actively wore this one; she is now somewhat eroded. Did I get them all? And do you ever wear them?[/QUOTE]
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