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<p>[QUOTE="Bronwen, post: 344917, member: 5833"]Think you're right that the jet-set lady & her mount were introduced in a second marriage. These 'corsage ladies', as I call them, are more 1920s/30s, while the jet frames seem to have been in vogue a good 50 or more years before. And you're right, she does look cut down at the edge; they are usually left at least a bit of a border.</p><p><br /></p><p>The little Flora is quite a pretty piece. The photo is not showing a through & through crack. Is it more of a hairline, really only visible when the light is behind the piece? They are usually described as 'commensurate with age' & are not regarded as fatal flaws, unless threatening to break up the piece or mar the appearance under ordinary viewing conditions.</p><p><br /></p><p>Seeing the 2 together really highlights how the quality of work fell off after the early 20th century. The skill & care employed are a large part of why I think kyratango's new treasure is Victorian.[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 344917, member: 5833"]Think you're right that the jet-set lady & her mount were introduced in a second marriage. These 'corsage ladies', as I call them, are more 1920s/30s, while the jet frames seem to have been in vogue a good 50 or more years before. And you're right, she does look cut down at the edge; they are usually left at least a bit of a border. The little Flora is quite a pretty piece. The photo is not showing a through & through crack. Is it more of a hairline, really only visible when the light is behind the piece? They are usually described as 'commensurate with age' & are not regarded as fatal flaws, unless threatening to break up the piece or mar the appearance under ordinary viewing conditions. Seeing the 2 together really highlights how the quality of work fell off after the early 20th century. The skill & care employed are a large part of why I think kyratango's new treasure is Victorian.[/QUOTE]
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