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<p>[QUOTE="Bronwen, post: 315372, member: 5833"]As suspected, the earlier message has reappeared. Only read this one if you want to go over it again.</p><p><br /></p><p>I just lost a whole long reply when I tried to edit it. <img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie48" alt=":grumpy:" unselectable="on" unselectable="on" /></p><p><br /></p><p>To recap:</p><p><br /></p><p><br /></p><p>I want people to post anything that pleases or puzzles them. I'm a bit fussy about using 'cameo' for works in relief and 'intaglio' for those engraved below the surface, both appropriate here. The two things that one sees called cameos that are not and really do not belong here are painted miniatures and stones cut <i>en cabochon</i>.</p><p><br /></p><p>I too have acquired pieces I think of as my study collection so that I could handle, not just see the various materials, including the man made and molded, such as Vulcanite. Wedgwood belongs here, as do the beautiful glass paste pieces made in France and Tassie impressions. Old guidebooks to Rome frequently list cameo cutters and micromosaicists together. Some subjects appear only on artificial pieces; these are also worth knowing about. I limited my answer to Chris because I thought that is what he was asking:</p><p><br /></p><p><br /></p><p><br /></p><p>When I write about cameo subjects, I try to show examples ranging from excellent to unrecognizably crude, in as many different materials as I can, including the artificial.</p><p><br /></p><p>This site is nothing if not educational. Bring 'em on!, I say. <img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie100" alt=":writer:" unselectable="on" unselectable="on" /><img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie92" alt=":turtle:" unselectable="on" unselectable="on" /><img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie58" alt=":joyful:" unselectable="on" unselectable="on" />[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 315372, member: 5833"]As suspected, the earlier message has reappeared. Only read this one if you want to go over it again. I just lost a whole long reply when I tried to edit it. :grumpy: To recap: I want people to post anything that pleases or puzzles them. I'm a bit fussy about using 'cameo' for works in relief and 'intaglio' for those engraved below the surface, both appropriate here. The two things that one sees called cameos that are not and really do not belong here are painted miniatures and stones cut [I]en cabochon[/I]. I too have acquired pieces I think of as my study collection so that I could handle, not just see the various materials, including the man made and molded, such as Vulcanite. Wedgwood belongs here, as do the beautiful glass paste pieces made in France and Tassie impressions. Old guidebooks to Rome frequently list cameo cutters and micromosaicists together. Some subjects appear only on artificial pieces; these are also worth knowing about. I limited my answer to Chris because I thought that is what he was asking: When I write about cameo subjects, I try to show examples ranging from excellent to unrecognizably crude, in as many different materials as I can, including the artificial. This site is nothing if not educational. Bring 'em on!, I say. :writer::turtle::joyful:[/QUOTE]
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