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<p>[QUOTE="Bronwen, post: 315139, member: 5833"]The majority of cameos we find for sale are cut in helmet shell, like the ones shared by bercrystal & evelyb30. A couple of varieties are commonly used; one provides a background that is lighter & more orange, the other is darker, sometimes quite a dark brown. We are beginning to see artificial cameos that look frighteningly like helmet shell.</p><p><br /></p><p>Conch shell is also used. These cameos can be all white, all pink, most often a white figure on a pink background. On eBay they are frequently incorrectly described as angel skin coral.</p><p><br /></p><p>There are coral cameos, ranging from a deep red, which can be assumed to be dyed, to the palest shades that are the true angel skin. There are also a lot of fake coral cameos, some quite convincing. Best to be careful about these. There is guidance on recognizing coral & conch shell in <a href="https://cameotimes.com/index.php/reference/materials-guide?showall=&start=1" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://cameotimes.com/index.php/reference/materials-guide?showall=&start=1" rel="nofollow">this article</a>.</p><p><br /></p><p>Short of gems cut in precious or semi-precious stones, the material that adds the most value to a cameo is agate or jasper, both the same basic mineral, chalcedony, known under the general term 'hardstone'. Agate, with its layers of color, is the more common. The Michelangelo at the top, the set Marie shared with us & the very orange spurious Rosi are all agate. Hardstone can be effectively mimicked by glass. A nice glass cameo is not necessarily without value, just don't pay hardstone prices for one.</p><p><br /></p><p>Another type of cameo is called lava. Articles about this and about hardstone can be reached from the page on 'angel skin'. Other materials are also used for cameos, but these are the most common.</p><p><br /></p><p>Cameo collectors disagree about how important various factors are in valuing a cameo, but no one disputes that the very most important is <b>quality of carving</b>. A well carved shell cameo is more valuable than a mediocre one in hardstone.</p><p><br /></p><p>When first taking an interest in cameos, it is easy to mistake pretty for good, although pretty is a perfectly good place to start. It is only with looking at a wide array of cameos that one develops an appreciation for finer carving and more <b>unusual subjects</b>.</p><p><br /></p><p>Museums will display ancient Greek or Roman cameos that are broken. Unless the carving on a modern piece is superior, this is not acceptable. <b>Condition</b> counts. When held up with light behind, helmet shell cameos often show fine 'stress lines'. While not desirable, these are not considered a serious flaw if they are not numerous & have not developed into through & through cracks. Hardstone cameos that are set in rings frequently have had their nose knocked off, the first thing I check on these. Cameos can get amazingly grimy. Most can be safely cleaned, so this is not a problem. However, reject anything that looks stained, has anything that looks like an ink mark, etc. These cannot always be remedied.</p><p><br /></p><p>Most cameos appear in jewellery, both costume quality and fine, and that aspect can be assessed just as for any other jewellery. I cannot overemphasize that you cannot assume a cameo is good because the <b>setting</b> is or vice versa. All else being equal, larger cameos are usually preferred to smaller ones, but this is a minor consideration.</p><p><br /></p><p>A feature that always adds value but that is rarely found on cameos that turn up in thrift stores and church bazaars is the presence of a <b>signature</b>, even an illegible one.</p><p><br /></p><p>My personal order for importance:</p><ul> <li>Quality of carving</li> <li>Signed or not</li> <li>Subject<br /> </li> <li>Material</li> <li>Condition</li> <li>Setting</li> <li>Size</li> </ul><p>Placing the subject so high very much reflects my personal taste. Many people would put it last. It is also something you can't gauge until you have an idea of which subjects are common.</p><p><br /></p><p>If a cameo comes with its original box it gets a significant bump up in resale value.</p><p><br /></p><p>Well Chris, you asked. <img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie100" alt=":writer:" unselectable="on" unselectable="on" /> <img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie92" alt=":turtle:" unselectable="on" unselectable="on" /> <img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie58" alt=":joyful:" unselectable="on" unselectable="on" />[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 315139, member: 5833"]The majority of cameos we find for sale are cut in helmet shell, like the ones shared by bercrystal & evelyb30. A couple of varieties are commonly used; one provides a background that is lighter & more orange, the other is darker, sometimes quite a dark brown. We are beginning to see artificial cameos that look frighteningly like helmet shell. Conch shell is also used. These cameos can be all white, all pink, most often a white figure on a pink background. On eBay they are frequently incorrectly described as angel skin coral. There are coral cameos, ranging from a deep red, which can be assumed to be dyed, to the palest shades that are the true angel skin. There are also a lot of fake coral cameos, some quite convincing. Best to be careful about these. There is guidance on recognizing coral & conch shell in [URL='https://cameotimes.com/index.php/reference/materials-guide?showall=&start=1']this article[/URL]. Short of gems cut in precious or semi-precious stones, the material that adds the most value to a cameo is agate or jasper, both the same basic mineral, chalcedony, known under the general term 'hardstone'. Agate, with its layers of color, is the more common. The Michelangelo at the top, the set Marie shared with us & the very orange spurious Rosi are all agate. Hardstone can be effectively mimicked by glass. A nice glass cameo is not necessarily without value, just don't pay hardstone prices for one. Another type of cameo is called lava. Articles about this and about hardstone can be reached from the page on 'angel skin'. Other materials are also used for cameos, but these are the most common. Cameo collectors disagree about how important various factors are in valuing a cameo, but no one disputes that the very most important is [B]quality of carving[/B]. A well carved shell cameo is more valuable than a mediocre one in hardstone. When first taking an interest in cameos, it is easy to mistake pretty for good, although pretty is a perfectly good place to start. It is only with looking at a wide array of cameos that one develops an appreciation for finer carving and more [B]unusual subjects[/B]. Museums will display ancient Greek or Roman cameos that are broken. Unless the carving on a modern piece is superior, this is not acceptable. [B]Condition[/B] counts. When held up with light behind, helmet shell cameos often show fine 'stress lines'. While not desirable, these are not considered a serious flaw if they are not numerous & have not developed into through & through cracks. Hardstone cameos that are set in rings frequently have had their nose knocked off, the first thing I check on these. Cameos can get amazingly grimy. Most can be safely cleaned, so this is not a problem. However, reject anything that looks stained, has anything that looks like an ink mark, etc. These cannot always be remedied. Most cameos appear in jewellery, both costume quality and fine, and that aspect can be assessed just as for any other jewellery. I cannot overemphasize that you cannot assume a cameo is good because the [B]setting[/B] is or vice versa. All else being equal, larger cameos are usually preferred to smaller ones, but this is a minor consideration. A feature that always adds value but that is rarely found on cameos that turn up in thrift stores and church bazaars is the presence of a [B]signature[/B], even an illegible one. My personal order for importance: [LIST] [*]Quality of carving [*]Signed or not [*]Subject [*]Material [*]Condition [*]Setting [*]Size [/LIST] Placing the subject so high very much reflects my personal taste. Many people would put it last. It is also something you can't gauge until you have an idea of which subjects are common. If a cameo comes with its original box it gets a significant bump up in resale value. Well Chris, you asked. :writer: :turtle: :joyful:[/QUOTE]
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