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<p>[QUOTE="Bronwen, post: 315085, member: 5833"]It is indeed a very sweet set, in excellent condition. Possible the ear wires are replacements, but who cares? I think of these cameos in general as 'noblewoman' cameos, as opposed to 'pretty lady' cameos. They still cut similar ones in the Idar-Oberstein region of Germany, which does sit 'over stone', deposits of the banded agate or <i>lagenstein</i> (layer stone) used for this type of work.</p><p><br /></p><p>The local mines were already worked out about 200 years ago. Fortunately other sources were found. These are not as colorful as the local stone. Equally fortunate is the porosity of agate that allows it to be dyed. The color of these stones has probably been 'enhanced' to achieve that deep, even carnelian color. The Michelangelo I show up top has also been dyed to get a black background. The Romans already knew the trick of it.</p><p><br /></p><p>Recently a cameo of the noblewoman type turned up at auction as a <a href="http://www.pestel-debord.com/html/fiche.jsp?id=7882428" target="_blank" class="externalLink ProxyLink" data-proxy-href="http://www.pestel-debord.com/html/fiche.jsp?id=7882428" rel="nofollow">Luigi Rosi</a>. Of course photos have been added to Pinterest boards, so no doubt it will be so identified in perpetuity. The auctioneer claimed it has Rosi's signature and address on the back, as many of his pieces do, but did not show it nor respond to a request for an additional pic. I was relieved when it did not sell. Very handsome piece; the signature is undoubtedly fraudulent.</p><p>[ATTACH=full]104478[/ATTACH][/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 315085, member: 5833"]It is indeed a very sweet set, in excellent condition. Possible the ear wires are replacements, but who cares? I think of these cameos in general as 'noblewoman' cameos, as opposed to 'pretty lady' cameos. They still cut similar ones in the Idar-Oberstein region of Germany, which does sit 'over stone', deposits of the banded agate or [I]lagenstein[/I] (layer stone) used for this type of work. The local mines were already worked out about 200 years ago. Fortunately other sources were found. These are not as colorful as the local stone. Equally fortunate is the porosity of agate that allows it to be dyed. The color of these stones has probably been 'enhanced' to achieve that deep, even carnelian color. The Michelangelo I show up top has also been dyed to get a black background. The Romans already knew the trick of it. Recently a cameo of the noblewoman type turned up at auction as a [URL='http://www.pestel-debord.com/html/fiche.jsp?id=7882428']Luigi Rosi[/URL]. Of course photos have been added to Pinterest boards, so no doubt it will be so identified in perpetuity. The auctioneer claimed it has Rosi's signature and address on the back, as many of his pieces do, but did not show it nor respond to a request for an additional pic. I was relieved when it did not sell. Very handsome piece; the signature is undoubtedly fraudulent. [ATTACH=full]104478[/ATTACH][/QUOTE]
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