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<p>[QUOTE="Bronwen, post: 3050071, member: 5833"]It's a nice piece & does appear to be hardstone, but too much money. If you're going to spend that much, you do need to consider whether you will be able to resell it someday without taking a big loss. Since there is no mount, value is entirely in the cameo. No matter how well done, the market for portraits of other people's husbands is not large unless the piece is signed. Is this being sold on line? Are there other photos, including the back? Sellers often miss signatures, even when they show in their own photos. You don't want to ask because if it is signed they will then presumably raise the price.</p><p><br /></p><p>I have a handful of male portraits. Well, maybe a few more than a handful, but they are all shell & I only bought ones that were cheap, exceptionally good or signed. I have 5 that are signed by known engravers: Tommaso Saulini; Filippo Tignani; 2 by Pio Siotto; Paolo Neri or workshop of. </p><p><br /></p><p>Portraits of non-famous women are much rarer. On my 2 Pinterest boards I currently have 160 examples of portraits of men, although some of them are famous, while there are only 65 of women & some of those are Queen Victoria. Women wore cameos of husbands; men, if they had a cameo of their wife or mother at all, had it in a case or little stand that they could take with them when they traveled. Cameos of women that have been set as jewellery are probably someone's sainted mother or daughter. I have only 3 of women. One is shell in a little calf skin case. Another is a hardstone cameo signed by Rudolph Otto, engraver to the royal court of Bohemia around the turn of the 20th century, which is in a brass folding easel style frame. The third is a shell cameo signed by Filippo Negroni, less well known than Saulini, et al., but, like them, recorded in the guidebooks of his time.</p><p><br /></p><p>To sum up, I would recommend to you the course I have followed myself when it comes to anonymous portraits: buy good ones that are cheap; buy ones that are signed & reasonable. Don't buy the one you've shown us unless it's really calling to you & money is no object. <img src="styles/default/xenforo/smilies/smile.png" class="mceSmilie" alt=":)" unselectable="on" />[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 3050071, member: 5833"]It's a nice piece & does appear to be hardstone, but too much money. If you're going to spend that much, you do need to consider whether you will be able to resell it someday without taking a big loss. Since there is no mount, value is entirely in the cameo. No matter how well done, the market for portraits of other people's husbands is not large unless the piece is signed. Is this being sold on line? Are there other photos, including the back? Sellers often miss signatures, even when they show in their own photos. You don't want to ask because if it is signed they will then presumably raise the price. I have a handful of male portraits. Well, maybe a few more than a handful, but they are all shell & I only bought ones that were cheap, exceptionally good or signed. I have 5 that are signed by known engravers: Tommaso Saulini; Filippo Tignani; 2 by Pio Siotto; Paolo Neri or workshop of. Portraits of non-famous women are much rarer. On my 2 Pinterest boards I currently have 160 examples of portraits of men, although some of them are famous, while there are only 65 of women & some of those are Queen Victoria. Women wore cameos of husbands; men, if they had a cameo of their wife or mother at all, had it in a case or little stand that they could take with them when they traveled. Cameos of women that have been set as jewellery are probably someone's sainted mother or daughter. I have only 3 of women. One is shell in a little calf skin case. Another is a hardstone cameo signed by Rudolph Otto, engraver to the royal court of Bohemia around the turn of the 20th century, which is in a brass folding easel style frame. The third is a shell cameo signed by Filippo Negroni, less well known than Saulini, et al., but, like them, recorded in the guidebooks of his time. To sum up, I would recommend to you the course I have followed myself when it comes to anonymous portraits: buy good ones that are cheap; buy ones that are signed & reasonable. Don't buy the one you've shown us unless it's really calling to you & money is no object. :)[/QUOTE]
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