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<p>[QUOTE="Bronwen, post: 633574, member: 5833"]I used the word 'cameist' one time in another thread & it met with approval. I did not invent it, promise. An old fashioned term. Those who make intaglios and/or cameos in the harder stones do so by grinding/engraving, not by chipping or scraping away at the material; they are known generally as gem engravers. Softer materials, such as shell & coral, are worked with little tools for scraping & gouging, more akin to sculpting. Those who work only in these materials are not accorded as much respect as those who do the more difficult work with more prized materials, & are referred to in English as cameo cutters.</p><p><br /></p><p>You will notice that on the previous page, the Frenchman Reverchon signed himself as 'graveur'. If he had only made shell cameos, his name probably would not have been recorded. However, he was also a medalist, medalists often put their name or initials on their work, making them easier to study & write about. The go-to reference is this one, by Leonard Forrer, which came out in segments in Spink's Numismatic Circular before being printed as a multi-volume book:</p><p><br /></p><p>[ATTACH=full]182569[/ATTACH][/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 633574, member: 5833"]I used the word 'cameist' one time in another thread & it met with approval. I did not invent it, promise. An old fashioned term. Those who make intaglios and/or cameos in the harder stones do so by grinding/engraving, not by chipping or scraping away at the material; they are known generally as gem engravers. Softer materials, such as shell & coral, are worked with little tools for scraping & gouging, more akin to sculpting. Those who work only in these materials are not accorded as much respect as those who do the more difficult work with more prized materials, & are referred to in English as cameo cutters. You will notice that on the previous page, the Frenchman Reverchon signed himself as 'graveur'. If he had only made shell cameos, his name probably would not have been recorded. However, he was also a medalist, medalists often put their name or initials on their work, making them easier to study & write about. The go-to reference is this one, by Leonard Forrer, which came out in segments in Spink's Numismatic Circular before being printed as a multi-volume book: [ATTACH=full]182569[/ATTACH][/QUOTE]
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