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<p>[QUOTE="Bronwen, post: 3227309, member: 5833"]The resource I am using is the 2 volume <i>La collezione Paoletti/Stampi in vetro per impronte di intagli e cammei</i>. In tomo VI, impressions 1 - 200 are all of gems engraved by Antonio Santarelli; Psyche & Eros are #s 183 & 184. So the paste cameos in the tiara are also copies. I've seen her in Berlin Iron too:</p><p><br /></p><p>[ATTACH=full]296952[/ATTACH] </p><p><br /></p><p>The collection the books catalogue is huge, thousands of impressions from thousands of years. I have only dipped in here & there as needed, not gone through them in any systematic way, but it appears that few, if any, of the impressions were taken from modeling by Paoletti. Gem engravers of the 18th & 19th century, such as the Pichlers, took inspiration from the sculptural works of Canova, Thorvaldsen, Gibson, etc., converting them to intaglios. For example, Luigi Pichler was the author of many of Paoletti's Works of Canova.[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 3227309, member: 5833"]The resource I am using is the 2 volume [I]La collezione Paoletti/Stampi in vetro per impronte di intagli e cammei[/I]. In tomo VI, impressions 1 - 200 are all of gems engraved by Antonio Santarelli; Psyche & Eros are #s 183 & 184. So the paste cameos in the tiara are also copies. I've seen her in Berlin Iron too: [ATTACH=full]296952[/ATTACH] The collection the books catalogue is huge, thousands of impressions from thousands of years. I have only dipped in here & there as needed, not gone through them in any systematic way, but it appears that few, if any, of the impressions were taken from modeling by Paoletti. Gem engravers of the 18th & 19th century, such as the Pichlers, took inspiration from the sculptural works of Canova, Thorvaldsen, Gibson, etc., converting them to intaglios. For example, Luigi Pichler was the author of many of Paoletti's Works of Canova.[/QUOTE]
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