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<p>[QUOTE="Taupou, post: 10075375, member: 45"]The "blackware" one is not traditional blackware, which is made by several pueblo tribes, but it is black pottery, just not traditional blackware. </p><p><br /></p><p>The traditional blackware made by the pueblo tribes, like Santa Clara and San Ildefonso, acquire their black color through the way they are fired. Because oxygen is prevented from reaching the pot, a chemical reaction takes place, and what would turn out red under a regular firing, turns black. No glaze is used by the pueblo potters, but a shiny finish is a result of the part of the pot that is "burnished" (polished with a smooth stone.)</p><p><br /></p><p>The Navajo pot, on the other hand, is made from a manufactured clay that fires black to begin with. The shiny areas which make up the design, are a result of glazing with a clear glaze. The matte area is the unglazed part. </p><p><br /></p><p>It's a lot faster, easier to get a pot that "looks like" blackware made by the pueblo potters, and requires a kiln, rather than the outdoor fire used traditionally. It's an adaption made by the Navajo, who haven't traditionally made blackware, but can get a similar look, with less risk, (and work). Which explains the price difference difference between traditional blackware, and pottery made for the souvenir tourist trade that the Navajo make.[/QUOTE]</p><p><br /></p>
[QUOTE="Taupou, post: 10075375, member: 45"]The "blackware" one is not traditional blackware, which is made by several pueblo tribes, but it is black pottery, just not traditional blackware. The traditional blackware made by the pueblo tribes, like Santa Clara and San Ildefonso, acquire their black color through the way they are fired. Because oxygen is prevented from reaching the pot, a chemical reaction takes place, and what would turn out red under a regular firing, turns black. No glaze is used by the pueblo potters, but a shiny finish is a result of the part of the pot that is "burnished" (polished with a smooth stone.) The Navajo pot, on the other hand, is made from a manufactured clay that fires black to begin with. The shiny areas which make up the design, are a result of glazing with a clear glaze. The matte area is the unglazed part. It's a lot faster, easier to get a pot that "looks like" blackware made by the pueblo potters, and requires a kiln, rather than the outdoor fire used traditionally. It's an adaption made by the Navajo, who haven't traditionally made blackware, but can get a similar look, with less risk, (and work). Which explains the price difference difference between traditional blackware, and pottery made for the souvenir tourist trade that the Navajo make.[/QUOTE]
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