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<p>[QUOTE="moreotherstuff, post: 4109999, member: 56"]No publication date? Might be in the back of the book. From the page you show that combines picture and text, it looks like the picture has been "tipped in". That means it's a separate piece of paper that was glued into a space left above the printed text. This was common practice for color illustrations until well into the 1960s. The costs of color printing were high enough that it was cheaper to generate color images separately from monochrome text.</p><p><br /></p><p>I know that some books, even with B&W illustrations, were published with the text as one volume and the prints as an accompanying portfolio. I think that the size of the prints was the consideration there, and effectively matching them to their place in the text.</p><p><br /></p><p>But if you wanted color pictures of art, you either got a book with tipped in plates, or you got a volume of text and a portfolio of prints.</p><p><br /></p><p>Some of these were produced effectively like magazines. I have a couple of copies of a series called "The Masters". You could buy the series in bookstores or at newsstands, or you could subscribe to it. They were issued sequentially like periodicals... dozens upon dozens of monograms on this artist or that with a short text essay followed by a dozen or so large color prints - nice color, state of the art printing for its time. These prints are bound in, but there were other similar series where the prints were unbound.</p><p><br /></p><p>They're of very little value today because access to the images, and to color printing, is no longer an issue, and the texts are about as important as the articles in Playboy.</p><p><br /></p><p>The prints are still very nice. The color is still good and they can have a nice, nostalgic, old-timey look to them, but they have little monetary value.[/QUOTE]</p><p><br /></p>
[QUOTE="moreotherstuff, post: 4109999, member: 56"]No publication date? Might be in the back of the book. From the page you show that combines picture and text, it looks like the picture has been "tipped in". That means it's a separate piece of paper that was glued into a space left above the printed text. This was common practice for color illustrations until well into the 1960s. The costs of color printing were high enough that it was cheaper to generate color images separately from monochrome text. I know that some books, even with B&W illustrations, were published with the text as one volume and the prints as an accompanying portfolio. I think that the size of the prints was the consideration there, and effectively matching them to their place in the text. But if you wanted color pictures of art, you either got a book with tipped in plates, or you got a volume of text and a portfolio of prints. Some of these were produced effectively like magazines. I have a couple of copies of a series called "The Masters". You could buy the series in bookstores or at newsstands, or you could subscribe to it. They were issued sequentially like periodicals... dozens upon dozens of monograms on this artist or that with a short text essay followed by a dozen or so large color prints - nice color, state of the art printing for its time. These prints are bound in, but there were other similar series where the prints were unbound. They're of very little value today because access to the images, and to color printing, is no longer an issue, and the texts are about as important as the articles in Playboy. The prints are still very nice. The color is still good and they can have a nice, nostalgic, old-timey look to them, but they have little monetary value.[/QUOTE]
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