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<p>[QUOTE=&quot;all_fakes, post: 146278, member: 55&quot;]There is some food for thought here....</p><p>In a book by Bill Holm one can find two drawings of bracelets, one an old original by Charles Edenshaw, a very famous Haida artist; one a copy or fake made by somebody who was unfamiliar with the principles of Haida design.</p><p>I don&#039;t have a scan handy (maybe Komo does) but it illustrates very clearly that there is indeed a difference between good and bad design, within a particular school or style or tradition.</p><p><br /></p><p>On the other hand, with many works of art, it is a matter of taste as to whether one prefers a particular designer, school, or style.</p><p>Some people find all modern Italian design to be &quot;bad,&quot; others love it, for example.&nbsp;&nbsp; Some love MCM, others not so much.[/QUOTE]</p><p><br /></p>

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