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<p>[QUOTE="moreotherstuff, post: 7544868, member: 56"]Happy to be wrong on that point. (Not paying enough attention.) Engraved printing plates had long lives and would often move around. They could be bought and sold, re-printed and re-issued in different publications, even re-engraved. Since yours do not show authorship, I would guess they are later issues. The frames may be contemporary with the prints, which, if true, might be a plus, but I think modern collectors prefer framing that shows whatever information the print offers, including things like plate marks and titles.</p><p><br /></p><p>It's very common for a frame to be the greater part of the price in print sales.</p><p><br /></p><p>It's good that the prints aren't showing acid burn from the mats. Decent quality materials were used in the framing. Clean the glass thoroughly before putting them back together (it's always surprising to me how dirty the inside of the glass can get), and you'll probably end up wanting to do the other as well.[/QUOTE]</p><p><br /></p>
[QUOTE="moreotherstuff, post: 7544868, member: 56"]Happy to be wrong on that point. (Not paying enough attention.) Engraved printing plates had long lives and would often move around. They could be bought and sold, re-printed and re-issued in different publications, even re-engraved. Since yours do not show authorship, I would guess they are later issues. The frames may be contemporary with the prints, which, if true, might be a plus, but I think modern collectors prefer framing that shows whatever information the print offers, including things like plate marks and titles. It's very common for a frame to be the greater part of the price in print sales. It's good that the prints aren't showing acid burn from the mats. Decent quality materials were used in the framing. Clean the glass thoroughly before putting them back together (it's always surprising to me how dirty the inside of the glass can get), and you'll probably end up wanting to do the other as well.[/QUOTE]
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