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Another mystery (to me) from today's jewelry box.
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<p>[QUOTE="Bronwen, post: 288994, member: 5833"]Back to the ring. When written communications were sealed with wax, the impress of the sender's unique intaglio on an unbroken seal guaranteed the recipient that the document delivered by a messenger genuinely came from that sender & had not been opened en route. Signet rings were not just personal adornment; they were functional & also indicated status. Jumping forward to the Victorians & Edwardians, intaglio seals, both personalized with initials or coats of arms, or glass paste replicas of gems in the best collections made by James Tassie & others, were highly popular both as watch fobs & desk accessories. Once there was no longer need for sealing wax, intaglios became strictly decorative, although they continued to lend a man an air of importance.</p><p><br /></p><p>The vast majority of intaglios in rings we see today are glass/paste. This was probably just as true in the 19th century. After Catherine the Great commissioned James Tassie, in the late 18th century, to make glass paste copies of the ancient gems in other collections for her, he & his nephew William went on to have a thriving business in making & selling these impressions, in various materials at different prices, as collections or by the piece, to anyone & everyone who aspired to seem cultured. People had custom built cabinets to hold them.</p><p><br /></p><p>So, agree with Debora that the chunky, simple style of the ring is more 60s/70s, PLAYBOY era. The carnelian colored stone is molded glass. The figure is not Mars, who is rarely shown bearded & never with this 'phrygian cap' type of helmet. He is one of the heroes of the Trojan War, whether Menelaus or Ajax a matter of dispute.[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 288994, member: 5833"]Back to the ring. When written communications were sealed with wax, the impress of the sender's unique intaglio on an unbroken seal guaranteed the recipient that the document delivered by a messenger genuinely came from that sender & had not been opened en route. Signet rings were not just personal adornment; they were functional & also indicated status. Jumping forward to the Victorians & Edwardians, intaglio seals, both personalized with initials or coats of arms, or glass paste replicas of gems in the best collections made by James Tassie & others, were highly popular both as watch fobs & desk accessories. Once there was no longer need for sealing wax, intaglios became strictly decorative, although they continued to lend a man an air of importance. The vast majority of intaglios in rings we see today are glass/paste. This was probably just as true in the 19th century. After Catherine the Great commissioned James Tassie, in the late 18th century, to make glass paste copies of the ancient gems in other collections for her, he & his nephew William went on to have a thriving business in making & selling these impressions, in various materials at different prices, as collections or by the piece, to anyone & everyone who aspired to seem cultured. People had custom built cabinets to hold them. So, agree with Debora that the chunky, simple style of the ring is more 60s/70s, PLAYBOY era. The carnelian colored stone is molded glass. The figure is not Mars, who is rarely shown bearded & never with this 'phrygian cap' type of helmet. He is one of the heroes of the Trojan War, whether Menelaus or Ajax a matter of dispute.[/QUOTE]
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Another mystery (to me) from today's jewelry box.
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