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<p>[QUOTE="all_fakes, post: 4505492, member: 55"]#3 is good also, and I'd also go with K'San. It has a very "squared-off" style, and a number of the students and teachers there were experimenting with a style which gave a more square interpretation to the traditional forms.</p><p>The carving on that is done very correctly, using what are called "stop-cuts." An area which will eventually be given a shallow sloping profile is first surrounded by a deep V-groove; then the shallow slope is cut in. This gives a clean appearance to the carving, and also prevents an accidental over-run which would split the surrounding wood and ruin the piece.</p><p>(This is a good stylistic detail to learn to recognize, as most fakers and non-native carvers are not familiar with this aspect, so when it is present, there is a great likelihood that the item is genuine and native-made.)</p><p>It is not quite so obvious on #1, but is present there also.[/QUOTE]</p><p><br /></p>
[QUOTE="all_fakes, post: 4505492, member: 55"]#3 is good also, and I'd also go with K'San. It has a very "squared-off" style, and a number of the students and teachers there were experimenting with a style which gave a more square interpretation to the traditional forms. The carving on that is done very correctly, using what are called "stop-cuts." An area which will eventually be given a shallow sloping profile is first surrounded by a deep V-groove; then the shallow slope is cut in. This gives a clean appearance to the carving, and also prevents an accidental over-run which would split the surrounding wood and ruin the piece. (This is a good stylistic detail to learn to recognize, as most fakers and non-native carvers are not familiar with this aspect, so when it is present, there is a great likelihood that the item is genuine and native-made.) It is not quite so obvious on #1, but is present there also.[/QUOTE]
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