Featured Very rare Ella Mae Morse 1954

i will sell the music books for a profit with a guitar , hehehe

 

they really weren't my type of music , but i support the band.. sort of ,... never bought their albums , loved the shows lol they were big overseas .

 

he too was an awesome fellow , even after i said the only thing that would make these comics worth more is when he dies , lol it came out all wrong . i was just trying to relay they are not for sale for a long time , we chatted for awhile with him after that , his wife was there , and she's a movie star , i did not know that and googled her when i got home , i would have paid twice as much to get them both on the comics , 3 times 4 time as much, lol

 

have you checked out any of my post on the painted chair i found/bought ? it's very beautiful and appraised (not authenticated ) at $35.000 as is . it's my new pride and joy lol but i have had it for almost 5 years now . the art world is so jaded , it now costs thousands and travel to prove anything nowadays lol

 

I haven't seen it, where did u post it? I'll check it!

 

i already know what you are going to say lol but let me prove it to you why i think he did it , it's a hundred year old chair with an eighty year old painting on it , it has , a known picasso muse on it (dora maar woman with bird) it has picasso's name on it , it has age, yellowed patina , age cracking on both side (hairline in the yellow shows it goes from outside to in you can just barely see it in the pics ,shrinking in all the joints ,rungs ,and stretchers ,that's just what i noticed in the first week of owning it, upon further investigating i have come up with more li will show you l.....

 

i have been experimenting with brushstrokes as i read an article about them being just like an artist fingerprints on the left is know picasso's on the right my chair check this out . its funny i traveled and paid to look for fingerprints and the other day it occurred to me the whole thing is his print lol almost the entire thing is 45 degree v's

 

@lloyd249 , sorry, I thought *you* had painted that chair. Now I think it's possible this chair was made by an organization (I think it is called "Yaya" in New Orleans) and old chairs are painted up. I doubt this to be the only organization of its kind.

 

https://www.google.com/search?q="ya...kAhViIDQIHblrBzwQ7Al6BAgAECQ&biw=1586&bih=864

 

ya ya is a children's organization started not that long ago i highly doubt any child is going to do this (even tho a lot of picasso's work looks to be that off a child ) in picasso's brushstrokes and brushes and paints . this is not a crack painted over this is a crack that occured after the paint job even got the little paint smear that looks like a star circled on the bottom what are the chances that they would include that almost microscopic detail

 

in the same spot on the chair and the dora maar

 

here is a completely different picasso painting vs my chair on the right

 

do you think i haven't already seen these you are sadly mistaken , i contacted todd and he makes no claim to this chair and yes to some of the other said his name is on the left of where you sit he did this and many other and claims at the time he was the only one doing these

 

no modern day painits on it, and what is on it was available to picasso in his time ,and when tested further at a cost of 6,000 is going to come up as ripolin

 

you think they would let kids paint with 2.72 % lead

 

picasso used sodium to make the color yellow , i just found that out a few days ago and that he liked ripolin because of the hard sheen finish without varnish. he was the first to use it .

 

GENERAL POSTS
BRUSHSTROKES ARE THE PAINTER’S FINGERPRINTS
MAY 23, 2014 RYAN WILLIAMS LEAVE A COMMENT


Have you seen the Google Art Project? Wow. That is something I could truly get lost in for a couple of hours at a time. The project provides the opportunity to not just look at the most famous works of art, but examine them in a manner of closeness that’s unavailable when standing in front of them in a museum – well without being grabbed by security at least. When you look at a painting you are learning about the subject of the painting and the intent of the artist. When you look closer, down to the texture of the canvas, you learn about the artist himself.

Vincent Van Gogh – "Self Portrait"


Just as every human has a unique fingerprint, artists have a unique brush style. The brush strokes tell a story much like a words in a book. Each stroke is a sentence. The strokes are weaved together in a section to form a paragraph. The sections form the entire painting or plot of the story. Each stroke must coordinate with the next one in order to create that visual harmony that so many of the world’s most famous paintings possess. What do these strokes tell us about these artists?

Van Gogh had short and heavy strokes. The marks are laid in with a hurried yet confident approach. There is also a frantic feeling and slightly obsessive approach as the colors ever so slowly change across a plain versus a more standard and sharper delineation to light and shadow. We know that Van Gogh battled with mental problems; we know he bordered on obsessive behavior. Perhaps these brush strokes are not just telling a story of the subject, but are providing a clinical diagnosis to the mental state of the man himself.



In a quite different example, John Singer Sargent features long flowing brush strokes. The marks appear to be more blended and feature sharper hue variance. Sargent was very comfortable with the dramatic light approach without going the full Rembrandt tilt. His lights are soft and his shadows are deep, but there is always a strong harmony through the painting. In many of his works his brush strokes are almost hidden as he seems to blend away the laborious work he poured into a his painting.We asked Gersh to walk us through how she verifies one of the world’s most high-profile artists, Pablo Picasso, using his piece ‘Jeune Femme et ‘Mousquetaire.’ “This is from Series 347 — one of the largest series that Picasso ever completed, and one of the last before he died,” she says. “In many ways, the series encompassed his ‘greatest hits’ — themes like circuses, bullfights and courtesans. Bawdy and prolific, it’s a very important one in his career.”

“This is the first thing to look for,” says Gersh. “You can tell pretty quickly if it’s incorrect.” While some artists sign in pen, Gersh says pencil is important because it’s more difficult to transfer. Also, look for consistency — compare the signature with other works by the artist. “Picasso’s name is usually underlined, and his signature is at a slight angle. Note the spacing of the letters as well; they’re consistently the same proportion apart, even in his more scripted signatures.” the O is always slightly over